Hunter x Hunter is an extremely enjoyable series from start to finish. All of the narrative arcs are appealing and executed beautifully. The characters are one of the main factors that make this story so enjoyable. Gon, Kurapika, Leorio, Killua, Hisoka, and others make the show a must-watch and have interesting characteristics and backgrounds. The show excels at strategy as well, as Togashi brings innovative ways for characters to defeat their opponents. Yoshihiro Togashi made what is considered to be his most famous project.

The growth of foreign media’s popularity poses many interesting questions as to the future shape of media in the U.S. and worldwide. While platforms like Netflix seem content to purchase and serve as a distributor for foreign content, how will American media producers, especially in fields in which they are lagging behind foreigners, try to appeal to domestic audiences? How will questions of media representation be perceived with art created in different nations and different local contexts?

According to Yu, the characters she created for the show are based on her family, friends, childhood imagination, and things she loved as a child. The animal characters in the show have some correlation with her previous mini solo show, Animal World. Yu created a series of zombie animal characters who died from abuse and then returned as zombies to seek revenge on those who had made them suffer.

“Elysium” is the latest in a series of American productions that show how the Information Age has become the Age of Appropriation, one in which ideas and stories exist side by side for the borrowing, the taking, and ultimately, the mixing. What it also shows is that after almost a century of imitating the West, the tables are indeed turning and Hollywood is increasingly looking east. 

Imagine a future where the dollar has lost its value. A future where the government has taken over housing and Americans riot in the streets over exorbitant gas prices. Considering the events of the past five years, this isn’t such a hard thing to conjure in the mind. Highbrow Magazine recently had the opportunity to review the new animated thriller, Silver Circle, by director Pasha Roberts. It’s a project that explores these economic pitfalls and how those of a certain controversial mindset might seek a resolution for those issues. 

Although this synopsis sounds interesting and relevant to our country’s current socio-political discourse, this film is neither of those things. Director Pasha Roberts brings a potentially compelling Libertarian vision of rebellion to the screen but chooses to do so through an animation style that is too stunted for genuine emotional impact. In speaking with the director, he admits the budget was limited, but even South Park’s creators were able to deliver social commentary that was enlightening and entertaining with limited financial resources. In addition, the animation isn’t the only thing holding the film back.