Masthead/Contributors

Founding Editor & Publisher

Tara Taghizadeh

Webmaster

M. Williams

Contributing Writers and Photographers

Thomas Adcock, Sandra Bertrand, Sandra Canosa, Caitlin Cohen, Sophia Dorval, Ulises Duenas, Paul Ehrlich, Kaitlyn Fajilan, Angelo Franco, Rebekah Frank, Adam Gravano, Forrest Hartman, Maggie Hennenfeld, Eliot Hess, Beth Kaiserman, Christopher Karr, Barbara Noe Kennedy, Sabeena Khosla, Steven Knipp, Mike Peters, Lee Polevoi, John David Rowley, Stephanie Stark, Kurt Thurber, Gabriella Tutino, Michael Verdirame, Megan Walsh, Benjamin Wright

Chief Art Critic

Sandra Bertrand

Chief Book Critic

Lee Polevoi

Chief Food Critic

Beth Kaiserman

Chief Music Critic

Sandra Canosa

Chief Features Writer

Angelo Franco

Logo designed by Michael Bechetti of CysGraphics

Website designed by TheMouseArtist

How Political Conventions Went From Selecting Party Nominees to Pageantry and Partying

by Barbara Norrander

Presidential primaries became somewhat more influential after World War II, when some candidates adopted a strategy of running in presidential primaries. Other candidates avoided running in primaries and relied on a traditional strategy of courting the party’s elite who would be delegates at the convention. Running in presidential primaries was a risky strategy: A candidate who lost in a primary could see their presidential bid end, but even someone who won every single primary would not earn enough delegates to secure the nomination.

Vincent Fink Draws on His Subconscious to Create Surrealist Masterpieces

by The Editors

His first series, Atlas Metamorphosis, started with detailed greyscale sumi ink drawings that spawned from a lucid dream. Since then, his art evolves from his series of Sacred Geometry Surrealism paintings, called Iterations, to multimedia public art and installations including sculpture and animation. The subconscious, with its symbolic story-telling, has always played a part in his cultural narrative message.