It also helps that the picture is a musical. When Chu isn’t moving his cast from one beautifully dressed location to another, he is guiding it through some of the most eyepopping musical numbers to hit the screen in years. The splashy (literally) presentation of the tune “96,000” uses Highbridge Pool to great creative effect, with water becoming part of the choreography. This number is so intense that one might draw comparisons to the beautiful traffic jam dance sequence in La La Land. 

On the occasion of the Musée d’Art Moderne et d’Art Contemporain de Nice’s 30^th anniversary, the She-Bam Pow Pop Wizz! The Amazons of Pop exhibition plunges back on a  strong axis of Nice history: the  face-off between France and the United States and movements of appropriation between New Realism and Pop. Behind the French-American artist Niki de Saint Phalle, the emblematic figure of the museum’s collection, a whole  generation  (European  and  North  American) of amazons of art is being honored.

Overall, the pacing of the movie is pretty slow. However, there are scenes in the last part of the movie that make whole experience worth it. It’s those scenes that show Cross’s range as an actor and drive home the meaning of the film. The story is even more interesting when you consider that it all actually happened to the real-life Robert Pyle. Even though it’s a slow burn, I would still recommend The Dark Divide.

Not being racist is easy: literally, just don't be a racist. But being anti-racist takes work, and it’s work that is not always easy or even beneficial to oneself. And there’s so much happening all the time, and everyone’s needs are different. Check on your Asian friends - don’t burden your Asian friends; go to marches - don’t take up too much space in marches; speak up - know when to shut up and just listen; at least share information if you can’t do nothing else.

Jane Lee, aka Messy Desk, creates pieces that are full of joy, with her characters, animals, and happy faces interwoven between buildings. The pieces are carefully crafted, stroke after stroke, and the result is high-density landscapes with an explosion of color. Frantic as it might be at first glance, after close inspection, Messy Desk’s art is full of emotional stories, like treasures hidden in plain sight, waiting to be discovered. 

Wilson’s performance is particularly great as a foil and supporting character to Hiddleston’s Loki, serving as a good comic comparison between his bureaucratic detective Mobius and the egotistical God-turned-prisoner Loki. However, his performance also shows Mobius as his own complex character. Mobius isn’t simply a narrative prop to highlight Loki, but a sharp-witted detective with his own complex motivations and ideology.

One imagines the intimate business of getting Gus down the steps. Harry stands at the bottom of the companionway, and gets his arms around him (a face full of fur, legs every which way; Gus’s great face is interested but relaxed: they’ve done this a hundred times). Then he picks him up, all hundred pounds of him, and gently sets him down on the cabin sole. Sets out some water. Harry put him below because he didn’t want him to see. Or more likely, he was afraid the dog would jump in and try to save him, as Newfies are bred to do.

Even though it comes with its own constraints and challenges, road trips and short flights within the U.S. are how many people will ease into traveling again. The emphasis for airlines and accommodation providers will be on cleanliness and social distancing. In many cases, these enhanced health and safety measures will stick around as a way to prevent future outbreaks and bolster consumer confidence.

Frank’s art has been exhibited in numerous solo and group exhibitions across California, including South Grand, Rvcc Gallery, Communion Gallery, and Embed Gallery. The popularity of his work led to commissions from musicians as well as television networks utilizing his work in their stage design. His work has also been featured in large public installations and charity campaigns with nonprofit organizations, such as INCLUSIVACTION.

From my grandfather’s memory of the riot’s devastation to my own work addressing low-income communities’ economic challenges, I have come to see that change requires harnessing economic, governmental and nonprofit solutions that recognize and speak openly about the significant residential, educational and workplace racial segregation that still exists in the United States today.