His first series, Atlas Metamorphosis, started with detailed greyscale sumi ink drawings that spawned from a lucid dream. Since then, his art evolves from his series of Sacred Geometry Surrealism paintings, called Iterations, to multimedia public art and installations including sculpture and animation. The subconscious, with its symbolic story-telling, has always played a part in his cultural narrative message.

The editing and story are reminiscent of the movie Jacob’s Ladder in that the main character and viewer are lost in reality and unsure of what’s really going on. It becomes clear early on that some or all of what we see regarding the “president” is a fabricated reality created to protect his mind from some awful truth. As he talks to the other patients to unravel the mystery, he’s subjected to abuse from the doctors and orderlies

These questions, while separate, are indelibly intertwined. If the American people react to Donald Trump’s presidency with even a fraction of the disgust and anger the two of us feel, he’s almost sure to be a one-term president. But if we intend to sustain a Democratic governing majority over the long term, we’ll need an agenda (and an accompanying narrative) that stands on its own. Without a compelling message, we won’t be able to hold on to the power that the public’s revulsion to Trump may help us win. Then we’ll be back at square one.

Jeanine Cummins’s novel, American Dirt, appeared early in 2020, drawing initial excitement and laudatory reviews. Soon, the book came under attack, with accusations and recriminations revolving around the issue of cultural appropriation. Critics questioned Cummins’s legitimacy and ability to write a novel about a Mexican mother and child on the run from a vicious drug cartel. Protests followed and a host of publicity events and television appearances were canceled.

In 2013, Ai was incarcerated for 81 days as a Chinese dissident. Three months after his release, hopeful curator Haines traveled to Beijing to visit the artist in his studio, where he was under house arrest.  Her goal was to persuade him to create a work on freedom and human rights abuses.  Her venue of choice?  Alcatraz. For Ai, he was obviously tired of “making installations I can’t attend.” Through virtual walkthroughs and a reverential persistence on Haines’s part, a plan was put into action.   

The movie is simple but well-crafted, with most of the time spent establishing the unpredictable and frightening nature of high-seas combat. Hanks plays Ernest Krause, a first-time destroyer captain charged with protecting a merchant ship convoy during a dangerous Atlantic crossing. Set during the Battle of the Atlantic, the movie pits Krause against a group stealthy U-boats determined to destroy as much of the convoy as possible.

At the time of my first trial, however, “sink or swim” was the reality, and I accepted it unquestioningly. Accordingly, I was assigned a veritable “slam dunk” case involving an undercover drug “buy and bust” with two defendants, the brothers Calvin and Reginald Smith. All I had to do was call the undercover narcotics agent, have him testify to his dealings with the defendants at their meeting in a JFK Airport hotel, introduce into evidence the drugs the defendants had given him, and then call a government chemist to testify that the drugs seized were indeed illegal narcotic substances.

Not surprisingly, when you arrive on the site, you are greeted with “A Message to Our Community.”  The foundation is “creating paths that lead to a more inclusive and diverse museum and workplace.”  Nearly a year ago, it launched a Diversity, Equity, Accessibility and Inclusion Initiative.  It’s a high order and we can only hope that they can live up to the founding belief that “art can embrace the spirit and transform human behavior.” One example on the website of genius at work is a brief artist’s video profile of Simone Leigh.