After Paul soaks in the strange adulation from strangers, things take a turn. People’s dreams about him turn into nightmares where he begins to brutally murder people. The depiction of those nightmares feels accurate compared with real dreams; they’re not overly absurd and the imagery is disjointed and confusing when presented to the viewer.

If anger plays its part in some of Chicago’s most blatant imagery, the Extinction suite puts her compassion for the death of entire species front and center. Her eco-feminist view demands a close look at the brutality against nonhuman life, which is no better exemplified than in The End.

Slavery has existed in nearly every society in the world in some form or another. Until British Atlantic societies developed the chattel model, no form of enslavement gave such complete and utter dominion to enslavers on such a scale. Consequently, no society had organized its entire social, political, religious, and economic systems around the exploitation of a more or less permanently enslaved underclass.

That was my first encounter with Martin Scorsese, a director who shaped my teenage and early adult years. Possibly the greatest American filmmaker, Scorsese is incapable of making uninteresting films, thus defining his 10 best films would be a fool’s task. In curating these titles, it's less a question of greatness, but rather selecting the titles that I believe surmise Scorsese, the artist and person.

Soon after the liberation of France, Karl Gönner (called “Karl” throughout the book) was charged with ordering the execution of a villager aligned with the Resistance. A series of investigations followed, leading—many years later—to Karl’s official exoneration (though even that label was later rescinded by a German investigative committee.

It is important that groups like the American Civil Liberties Union, or ACLU, and the National Association for the Advancement of Colored People, or NAACP, can go to court and litigate voting rights questions. Part of the reason is that the Department of Justice is a government office with limited resources and a finite capacity to assess all of the different jurisdictions where voting takes place.

The clean, simple lines of mid-century modern design and the cool sounds of West Coast jazz and Bossa Nova Blue Note minimalist record cover artworks of the 1950s – 60s. The Abstract Classicists with their hard-edge painting style using bold lines, organic shapes, and textures. Vintage fashion and photography and classic cars. Pop Art, Constructivism and Suprematism. These are just a few ideas and movements that inspire Graham Moore’s collages.

Govenar's film explores public memory in Dallas six decades after Kennedy's assassination. Filmed almost entirely in Dallas, it delves into the aftermath of the assassination and its enduring influence on contemporary American issues, including conspiracy theories, gun violence, homelessness, and drugs—all of which can be traced back to that original tragedy of November 22, 1963.

If you can find this in theaters, watch it; if you see it on Blu-ray, buy it; and if it shows on a streaming service, then grab a drink and get ready for a top-tier classic. The Holdovers has what it takes to be a timeless film that will be replayed every holiday season for years to come.

Special features highlight various aspects of New York, including coffeeshops, independent bookstores, and East Village shops. There are also fun facts sprinkled throughout—did you know you’ll find a handwritten poem by Emily Dickenson and George Washington’s recipe for beer at the New York Public Library?