In Every Love Story is a Ghost Story, a sympathetic and engrossing biography of David Foster Wallace, literary journalist D.T. Max deftly outlines the early years of the writer’s life, from his birth in Ithaca, New York, growing up in Champaign, Illinois, where he became a promising junior tennis player, to his education (with a double major in English and philosophy) at Amherst College. The novel he wrote for his senior thesis, The Broom of the System, was published when Wallace was 25 years old, launching a career that went on to see creation of a range of exceptional works of fiction and nonfiction.

Memoirs are the great equalizer of writing. In a genre utterly non-denominational, there is room for any story in any pattern of prose. The Christian Science Monitor reports that memoirs have seen sales increase from $170 million to $270 million since 1999. Most nonfiction MFA writing programs are geared substantially towards the genre; Hunter College even requires prospective students to submit a memoir proposal as part of their application. 

British author John Lanchester displays an impressive range of skills in his books—from a gourmand/serial killer’s disturbing confessions in his first novel, The Debt to Pleasure, to a beguiling memoir Family Romance and an incisive examination of the global economic crisis in IOU: Why Everyone Owes Everyone and No One can Pay! Lanchester’s interest in the global economy bears full fruit in Capital, the finest novel yet from this hugely talented writer.

Throughout a long career of travel writing and literary journalism, the British writer Jonathan Raban has expertly blended the personal with the public in a tone that’s never vain or self-aggrandizing. From the relative exuberance of young adulthood in Coasting—about a solo sailboat trip around the coast of England—to the mature, battered-by-life expatriate in Passage to Juneau—another sea journey through the Inside Passage and up to Alaska—we gladly follow his spiritual journeys through whatever territory he chooses to take us. In Driving Home, a bountiful new collection of essays, Raban can also lay claim to being an astute observer of the American scene.