In his major post-storm speech, Mayor Michael Bloomberg noted that in 2050, one-quarter of the city’s land and 800,000 residents would be within the one-hundred-year flood zone. But instead of talking about the devastation as an opportunity to reshape the city’s shoreline to better reflect future sea levels and more frequent storm surges, he doubled down. “As New Yorkers, we cannot and will not abandon our waterfront. It’s one of our greatest assets. We must protect it, not retreat from it,” he said.
Considering Gotham’s controversial history, no wonder the citizens possess a distinctive edge. The vibrant culture of the city induces feedback from every visitor -- even if the opinions are based on half-baked stereotypes. But having a New York story is what every visitor seeks; because in New York, like nowhere else, the exposure is the attraction. The soul of the city is felt on the sidewalks and subways, on the front stoop and back alleys. You just can’t paint it on the walls.
This was the year climate change vanished from the political agenda—and then suddenly reappeared, after Hurricane Sandy shook the country. It was just a few years ago that President Obama flew to Copenhagen to rescue faltering climate-treaty talks amid bipartisan calls for global warming action. But in 2012, there wasn't a single congressional proposal or hearing on climate legislation. Neither was there mention of climate change on the presidential campaign trail, or in the debates for the first time in decades.
The storm hurled wind and rain on the city’s residents, causing flooding in low-lying areas. The rising waters flooded the subway system and crept into homeowners’ basements, where it disrupted the power supply. It also brought out of the shadows the predicament of so-called “basement people” – renters (some undocumented) living in illegal dwellings, who are especially vulnerable in times of disaster.
Anita Shapolsky gallery is currently presenting "Masters of Abstraction," that takes place in the virtual world of the Hamptons Art Fair. This group show is composed of artists who are known for their strong, lyrical, expressive brushstrokes; their use of color; and their ambitious geometric compositions. Featured artists include: Seymour Boardman, Ernest Briggs, Amaranth Ehrenhalt, Ethel Schwabacher, Yvonne Thomas, and Jeanne Miles.
In a new video, Highbrow Magazine writer and film critic Forrest Hartman discusses Daniel Craig's last turn as James Bond in 'No Time to Die." Hartman praises Craig for his performance as 007 throughout the Bon franchise, and gives his latest film 3 1/2 stars.
