Film & TV

The Legacy of Marvel Comics’ ‘What If,’ and Its Implications Within the Marvel Cinematic Universe

Ben Friedman

The brilliance in this creative strategy means What If can feel unimportant. In a franchise that has now created infinite universes, focusing on one singular universe that is not taking place on Earth-19999 can feel insignificant. While it is a spectacle to see Captain Carter punch Nazis, witness Hank Pym kill the Avengers, or see all the heroes as zombified versions of themselves, ultimately, they are one-offs.

‘Space Jam,’ ‘Free Guy’ and the New Corporate Media

Garrett Hartman

In  film,  however,  there  is  only  a  finite  amount  of  content.  You  can’t  just  watch something  unrelated  to  the  story.  The  film  is  the  story.  Bonus  content  and  features  are  sometimes  packaged  with  films,  but  this  optional  content  is  not  as  big  of  a  component  to  the  film  as  open-world  exploration,  multiplayer, or  arcade  modes  are  to  videogames. Anything over  the  top  than  a  sly  reference  will feel  like  advertising,  as  opposed  to  the  slight  nods  to  the  audience  they’re supposed  to  be.  

‘Ted Bundy: American Boogeyman’ Misses the Mark

Ulises Duenas

Tone is important in a movie like this and the first few scenes make it hard to determine what kind of tone the director was shooting for. At first, it seems like a serious look at Bundy’s crimes, but the music and writing feel like they’re from an old VHS slasher flick. The whole soundtrack feels very ‘80s, which is odd considering the movie takes place in the 1970s.

Can the Golden Globes Make a Comeback?

Forrest Hartman

The controversy over the Golden Globes continues. But can the Globes make a comeback? In a new Highbrow Magazine video, longtime Highbrow Magazine writer and respected academic Forrest Hartman discusses the ongoing controversy surrounding the Hollywood Foreign Press Association, and wonders when and how the Golden Globes will regain the respect of the industry.

Ambition and Over-the-Top Wealth in 17th-Century Royal France

Barbara Noe Kennedy

First released in France in 2009 for F2, TV5, and Jimmy, Ciné Cinéma, the two-part series—95 minutes each part—premiered on July 20, 2021, with English subtitles, on MHZ, a streaming service for foreign and international content. Lorànt Deutsch plays a shrewd but vulnerable Fouquet, Thierry Frémont depicts a power-lunging Colbert, and Sara Giraudeau is the smart and playful, turning heartbroken Marie-Madeline Fouquet.

‘Film Fest’ Is a Solid Satire of the Indie Movie Scene

Ulises Duenas

The biggest laughs and most interesting moments come one after another towards the end of Film Fest. Film Fest shows that making a movie is just the tip of the iceberg for filmmakers and how crazy and seedy the marketing side of the industry can be even at the lower levels of the industry. It also shows the heart of the indie movie scene and how filmmakers will struggle through all the nonsense to see their vision realized.

A Bold, No-Holds-Barred Look at Sophia Loren’s Family Entanglements

Barbara Noe Kennedy

What’s lesser known is that Sophia’s younger sister, Maria Scicolone, also had beauty and talent. She sang with Frank Sinatra, who asked her to audition for one of his albums with the promise of a sparkling career. In stepped the green-eyed monster of a mother who, evolving into a state of jealousy over Sophia’s success that should have been hers, forced her to turn down the opportunity.

‘Black Widow’ Pays Homage to Female Empowerment in the Marvel Cinematic Universe

Forrest Hartman

The story doesn’t revolve around potential Armageddon (refreshing since most comic book movies have world-ending stakes these days), and we don’t get cameos from other Avengers. We also don’t get the immense creativity seen in the recent MCU TV series WandaVision, which – by the way – was also a better nod to female empowerment than Captain Marvel. But we do get an enjoyable picture that moves like lightning.

Studios Should Respect Filmmakers’ Vision and Not Restrict Their Artistic Efforts

Garrett Hartman

Some have blamed Whedon for the failure of the original film. However, many of the fixes to the film's biggest issues come in the form of the two hours of additional footage. It seems unlikely that Warner Bros. would have approved sending out a four-hour film regardless of which director was behind it. The problem with Justice League was never Whedon or Snyder; the problem was with Warner Bros. itself. 

Rita Moreno Documentary Shows the Story of a Living Legend

Ulises Duenas

After the cheerful opening it’s not long before the documentary delves into the pain and suffering Moreno felt in her early career. Being typecast as a Native or Polynesian girl despite being Puerto Rican, abused by the Hollywood system, and never having the freedom to just be herself. The documentary does a great job of making you empathize with Moreno and because of that, you feel elated when she talks about how her life and career eventually turned around dramatically.

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