For several of director Czubek’s subjects, vulnerability is their overriding concern.  This is never more present than in Sarah McKinley’s case.  A very young, slender mother—recently widowed by a cancer-ridden husband—she presides alone over a desolate 2,000 acre spread in Blanchard, Oklahoma, wide-eyed over the immensity of her loneliness. With one hand around her weapon and another around the baby, she eyes the rubble from a recent break-in.  She stood her ground and shot the intruder dead.  Now she must live with the psychic consequences of her actions.