One of the chief pleasures of On Such a Full Sea is the anxious, reflective, self-questioning and cautiously prideful “chorus of We” that tells the story of Fan, a 16-year-old fish-tank diver in a highly stratified, post-apocalyptic America. The collective voice emanates from B-Mor, “once known as Baltimore,” whose inhabitants are charged with raising fish and vegetables to feed the elite Charter villages, located across a vast, lawless territory called the “open counties.”

Modern-day readers of a novel published in 1922 and banned as “obscene” in Europe and America might legitimately wonder what all the fuss was about. Almost a century later, in a culture saturated by explicit references to sex, masturbation and everything in between, the international uproar over references to sex and bodily functions in James Joyce’s Ulysses seems hard to imagine. But, as Kevin Birmingham illustrates in his engagingly written “biography of a book,” the 720-page, epoch-defining work changed both the way novels are written and the way novels are read.