McKendrick’s film is in communication with other adult coming-of-age films. Whether it is Kevin Smith’s Chasing Amy, Sam Mendes’s American Beauty, or the films of Judd Apatow, they all share one trait in common with Scrambled: humor. Said humor may be seen as politically incorrect in the context of hindsight, yet it is not a sign of failure in the filmmaker’s writing -- rather it showcases a willingness and honesty in their exploration of self.