The story is so straightforward, and yet the complexities multiply. The documentary details a relationship so unexpected and curious and unfathomable. It sounds ridiculous, but this masterpiece shows how one man (Craig Foster) manages to establish a genuine friendship — a kind of love affair, really — with an octopus in the waters of a kelp forest at the tip of Southern Africa. At first, Foster is just as astonished as the viewer. After all, he didn’t venture into the water seeking a new friend. Who would?
The shortsightedness of the filmmakers is on display in an unsettling way; they didn’t take into account two fundamental aspects of acting that make all the difference: eyes and physicality. Scorsese expressed concerns about how the de-aging affected the eyes of the performers earlier this year on A24’s “A Bigger Canvas” podcast, saying, “Certain shots need more work on the eyes.” But an even bigger problem is the fact that the actors, now in their mid-70s or older, don’t have the physicality of their younger selves.
The Dirt, based on the band’s best-selling autobiography, charts the rise of four Californian youngsters who channel the punk rage of the 1970s into the big-haired rock genre that, for many people, defined the 1980s. Like the hugely successful Queen movie Bohemian Rhapsody, it is a rags-to-riches tale of flamboyant showbiz glory and the perils of a rock ‘n’ roll lifestyle.
Evolving movie-watching habits have brought new buyers in recent years, with Netflix and Amazon.com Inc leading the march of digital outlets to Sundance. The streaming services had started to outbid Weinstein Co for standout films. Filmmakers prospered as Amazon paid $12 million for “The Big Sick” and Netflix paid $12.5 million for “Mudbound” in 2017. This year, it was unclear whether those outlets will replace Weinstein as the pacesetters.
Heroin(e) is a powerful film that follows the stories of three women in Huntington, West Virginia, who are battling the opioid crisis on its front lines. Drug addiction is so common in Huntington, the “overdose capital of America,” that it’s weaved into the fabric of everyday life. In one scene, paramedics work to revive an overdose victim at a convenience store while people step around the commotion and move along the checkout line as if nothing is happening.
On Facebook, Cruz wrote that net neutrality is equivalent to Obamacare for the Internet, and that the Internet shouldn’t operate at the speed of government – probably no one is arguing with that last point, but Cruz’s argument that net neutrality is the “biggest threat to the Internet” is the perfect example of the issue’s branding, or lack thereof, and the cloud of confusion that surrounds it. For Republicans, Cruz’s argument has defined net neutrality as an antagonist of the free market – a staple of the conservative diet – instead of its true identity as a proponent.
With the second season of OISTB set to be released on June 6th, many fans are practically panting with anticipation for the new episodes (which are all released at once, making it prime binge-watching material). Of course, speculation about where the second season will go has run rampant since last summer, and Netflix has been good at keeping a lid on all the show’s secrets. However, there are a few major theories out there that seem to have lots of logic and support behind them.
Media platforms like Netflix, Hulu, and even Amazon have all released successful series this past season. They have lured big-time writers and directors like Weed's Jenji Kohan and “Fight Club’s” David Fincher. TV is now drawing big-time players like Matthew McCaughey (True Detective), Martin Scorsese (Boardwalk Empire), and John Goodman (Alpha House) to the small screen, which was unthinkable 10 years ago.Yet this “Golden Age” in TV also means fierce competition. With the rise in popularity of digital platforms like Netflix, Amazon, and Hulu, the television landscape has been severely altered.
How movies are made will affect the format of the home-video and video rentals. VHS had petered out by the mid-2000s with the introduction of the DVD. The DVD format had a higher resolution and better sound quality than VHS, but it was expensive to remaster films for the new format This issue has repeated itself with the existence of Blu-ray discs -- most classic films aren’t available on Blu-ray because of the digital and photochemical process it takes to change formats. But more and more companies are switching to streaming.
Counterfactual notions like this occur throughout the book, though they hold little value either as conjecture or informed speculation. Obviously, every aspect of history (and not just in Europe) might be radically different had such-and-such not gone the way it did.For the most part, however, Kershaw moves adroitly through decades of turmoil in Europe. He’s skilled at connecting 20th-century leaders with our current crop.
After a slow start, “Women Talking” falls into a rhythm that drags viewers through the dilemma, asking them to imagine themselves facing the choice. Do they stay, forgiving the men who violated them emotionally and physically, giving implicit approval to their actions by doing so? Or do they leave, uprooting themselves and (in some cases) their young children from the only existence they understand?
