In The Tunnel at the End of the Light, Jim Shepard, a professor at Williams College, exercises a different set of muscles. These essays, written for The Believer during the George W. Bush administration, closely explore a handful of iconic American films for insights they can shed on American ideas of individuality, power and imperialism. Shepard isn’t shy about naming the wrongdoers and political leaders who led the US into unwanted wars and a pernicious global recession.

Words. “I have the best words,” Trump famously proclaimed during the campaign, and just the other day he told Maria Bartiromo of Fox News how “well-crafted” his goofy tweets are. The same man announced from the White House lawn on Wednesday that “I’m a very intelligent person” — words that sounded more self-deceptive than presidential. Trump does have a way with words. Unfortunately, it’s a gruesome way. 

Bush and Fox were friends, ranchers, businessmen, and came from the same rugged landscape that made their working together a done deal. Both men were determined to take the North American Free Trade Agreement (NAFTA) to the next step by addressing the limitations and flaws in that agreement. The limitations were political (no free movement of people across borders) and economic (no single currency for the United States, Canada, and Mexico).

Katrina opens with a compelling set piece that encapsulates many of the book’s themes—the chaos after Katrina made landfall, the lack of emergency coordination among local officials, dire situations made worse by crippling issues of race. On August 30, a group of predominantly black residents, seeking to escape flooding and destruction in their neighborhoods, crossed a bridge spanning the Mississippi for the relative safety of suburban Gretna, a predominantly white community. 

The film depicts the immense courage members of the US military possess, as well as the profound personal sacrifices they make in pursuit of what they believe to be a noble goal. And it gives voice to veterans dealing with PTSD and the broken homes they leave behind. At the same time, this intimate look at an American soldier in the midst of an unwinnable conflict – one who is singularly focused on protecting his brothers-in-arms to the detriment of everything sacred in his life – sends a cautionary message. 

Post-Romney/Ryan defeat, Republicans ordered an autopsy report on their '12 campaign season. The report, entitled the Growth and Opportunity Project exposed several large anachronisms and rifts in the party. To quote directly from the report: "These are voters who recently left the Party [sic]. Asked to describe Republicans, they said that the Party is 'scary,' 'narrow-minded,' and 'out of touch" and that we were a Party of 'stuffy old men.' This is consistent with the findings of other post-election surveys."