While I wrote about the Pentagon Papers in the early 1970s, my close connection with Ellsberg began only in the 1980s after I became the editor of Nuclear Times magazine. Ellsberg, then (and still) living in the San Francisco area, had started appearing at anti-nuclear protests — the “freeze” campaign was in full swing across the country. Naturally I wanted him to write an essay for the magazine on this subject but I was warned that while he often tried to write articles he “never finishes them.” When he completed a column for us, it drew wide attention as his first published piece in many years.

While Thurber is generally considered a humorist, he has a bountiful capacity to write fiction of a darker mien. Stories like “The Lady on 142” and “The Catbird Seat” prove there's an edge to Thurber's mind. Walter Mitty is easily described as a henpecked husband who drifts into reveries to escape his wife. At first, it's easy to mistake the daydreams for flashbacks, but, on closer examination, they fall apart. 

Relating events that occurred a half-century or longer ago in present tense does convey a certain kind of urgent immediacy.  On the other hand, when the narrative jumps around in time from chapter from chapter—alternating between the aftermath of her sister’s death and the years they spent growing up together (and apart)—a certain lack of clarity may emerge. When exactly did a particular event take place? 

Yes, these stories are bleak and the author seems strangely obsessed with acne, scars, and other unglamorous bodily functions. But Ottessa Moshfegh’s vision surpasses these particulars and Homesick for Another World emerges as among the most profound, absorbing short story collections to appear in years. And you can take that critical hype to the bank.

South Korean author Han Kang won the Man Booker International Prize for fiction on Monday for her novel "The Vegetarian," a dark, surreal story about a woman who gives up eating meat and seeks to become a tree. The 45-year-old Han had been short-listed for the prize for fiction in translation to English along with Italian writer Elena Ferrante, Angola's Jose Eduardo Agualusa, Chinese author Yan Lianke, Turkey's Orhan Pamuk and Austrian Robert Seethaler.

Siegfried Sassoon, as the military cross awarded 11 months earlier testified, may have gained a reputation as a brave soldier, who was willing to risk his own life to pursue the enemy, and may have begun to make his name as one of the finest poets of his generation but he firmly believed, as his train pushed on northwards, that he was about to put at risk all he had achieved and indeed, all he hoped to achieve. 

Ghost stories may be an old genre, with a long history of now seemingly tired tropes, but a fair sampling is in order to give a reader an idea of their potential. A general volume including works from around the genre, including authors of varying specialties, is The Big Book of Ghost Stories. Otto Penzler's tasteful editing gives the reader an array of stories from a few different general themes. What Penzler's volume lacks, however, is the work of one of the genre's more patient, subtle touches, that of Henry James. 

He comes across as alternately guilt-ridden over his treatment of his wives and at times belligerent about demands made on him by women and friends. In recounting the rigors and delights of a magazine-commissioned travel piece (“Thirty islands in sixty days”), he sometimes skims over key details and offers up a glossy summary of his experiences. It seems the article he finally wrote helped to exorcize personal demons, as much as convey the overall experience to readers.

Is the personal essay “in eclipse” in today’s literary landscape? Jonathan Franzen, guest editor of The Best American Essays 2016, thinks so. As he notes in his introduction to the latest collection, most American publications have ceased publishing these “pure essays,” while smaller publications that still do so “have fewer readers than Adele has Twitter followers.” 

While many Americas can tell you the name of a famous criminal, and some may even mention a famous law officer or prosecutor of some renown, conspicuous by their absence from the public imagination in any positive light are the men and women whom we've charged with reforming the felon, the social workers and all too often the corrections officers. Due to this state of affairs, it seems unlikely the average American would be able to name more than the most local institution in America's penal archipelago.