These questions, while separate, are indelibly intertwined. If the American people react to Donald Trump’s presidency with even a fraction of the disgust and anger the two of us feel, he’s almost sure to be a one-term president. But if we intend to sustain a Democratic governing majority over the long term, we’ll need an agenda (and an accompanying narrative) that stands on its own. Without a compelling message, we won’t be able to hold on to the power that the public’s revulsion to Trump may help us win. Then we’ll be back at square one.
America now has the worst record globally in dealing with the pandemic. Things being equal, this will constitute a significant drag on Trump’s re-election prospects, hence his flailing about in search for scapegoats. Leaving aside American domestic politics – the Democrats will not want to be accused of being soft on China in a presidential election cycle – the much bigger question is the extent to which the pandemic will disrupt, even overturn, a globalizing world.
Voter suppression is a well-documented fact of life in American politics. The GOP has welded it as a potent weapon to assure its continued domination of American politics. The even more terrifying reality is that voter suppression has the force of law behind it. Kemp in Georgia was the crudest example of that. As secretary of state, he could legally make the call about which votes could and couldn’t be counted. The lawsuits that were filed against his blatant voter suppression were at best stopgap efforts to blunt some of the damage.
Hartnett paints Malarek as a hard-charger who will stop at nothing to get his story, and viewers watch that story unfold as each new detail emerges. The nonlinear structure is complicated, but easy enough to follow thanks to writer-director Daniel Roby’s straightforward style. Roby presents the action simply, letting his actors drive the emotion and his camera go where it needs in order to keep us tuned in.
We realized that by pooling our programming resources, the new 24-hour channel had twice as much programming as we’d had before the merger. We brought Mystery Science Theater 3000 and HA! brought all the old episodes of Saturday Night Live, episodes they’d gotten from NBC a few months earlier. We started developing our own shows, including Bill Maher’s Politically Incorrect. We did live special coverage of political events, including the Democratic and Republican conventions, hosted by comedians.
