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new movies

Blind Ambition, Greed, and a Ruthless Mentor Shape ‘The Apprentice’

By Ben Friedman

The film introduces Sebastian Stan as a young man desperately trying to get out from under his father’s shadow and forge his own future. His warm, mild-mannered persona masks a devious ambition that deprives him of a moral compass, leading him to strike a deal with the Devil, in the form of infamous New York attorney Roy Cohn.

Not Even the Great J.K. Simmons Can Save ‘You Can’t Run Forever’

By Ulises Duenas

Simmons opens the film by gassing up his motorcycle in a rural area and shooting three people there for no reason. Even though his character is a psychotic killer, Simmons is charming in this role -- too charming in fact. His casual attitude towards his actions is funny and takes away from any feeling of dread that a thriller needs in order to be compelling.

‘Scrambled’ Combines Humor, Empathy to Portray the Tribulations of Adulthood

By Ben Friedman

McKendrick’s film is in communication with other adult coming-of-age films. Whether it is Kevin Smith’s Chasing Amy, Sam Mendes’s American Beauty, or the films of Judd Apatow, they all share one trait in common with Scrambled: humor. Said humor may be seen as politically incorrect in the context of hindsight, yet it is not a sign of failure in the filmmaker’s writing -- rather it showcases a willingness and honesty in their exploration of self.

‘The Holdovers’ Ushers in a New Holiday Classic

By Ulises Duenas

If you can find this in theaters, watch it; if you see it on Blu-ray, buy it; and if it shows on a streaming service, then grab a drink and get ready for a top-tier classic. The Holdovers has what it takes to be a timeless film that will be replayed every holiday season for years to come.