This movie is like a slasher flick crossed with “Fury Road,” and while the kills can get creative and ridiculous in a fun way, I wish there was more heart underneath all the blood and gore. If the movie didn’t have the budget for constant spectacle or complicated choreography, then it would have been nice if it fleshed out the main character to be more interesting, but he doesn’t say a word for most of the movie.

It takes a while for the movie to get going, but once Kristen is in Italy, the humor starts to pick up. Collette has a good sense of comedic timing and the supporting characters do a good job of keeping the movie light and charming. The downside is the humor constantly clashes with the romantic elements, which feel like they were pulled out of a novel you’d find at the airport. 

The trailer set to Also Sprach Zarathustra pays direct homage to 2001: A Space Odyssey, highlighting the tongue-in-cheek humor Gerwig brings to the property. Accompanied by lavish costuming, impressive set designs, and dance montages, Barbie looks to achieve something wholly unique. Hopefully, the film shares more in common with The Lego: Movie rather than G.I. Joe: Rise of the Cobra.

Nargle’s fear of failure and creative complacency create a real set of issues for the character and it’s interesting to see Wilson’s character navigate the challenges. He spent 19 years trying to create the perfect painting of a local mountain to hopefully get into a museum, yet he never took the initiative to take one of the paintings there himself out of fear of being rejected. The idea of being content with being a big fish in a small pond at the cost of stagnation is relatable.

After a slow start, “Women Talking” falls into a rhythm that drags viewers through the dilemma, asking them to imagine themselves facing the choice. Do they stay, forgiving the men who violated them emotionally and physically, giving implicit approval to their actions by doing so? Or do they leave, uprooting themselves and (in some cases) their young children from the only existence they understand?

Laura Lopez as Blanquita does a great job of portraying a character that has been through a life of trauma but does her best to fight through the difficulty of pursuing the case. She has strong resolve but does show weakness and doubt when things escalate and the danger rises. Alejandro Goic as Father Manuel also puts in a stellar performance as a priest who is tired of children’s suffering being swept under the rug. The film’s writing and direction go a long way in establishing a quiet, serious tone.

Breaking tells the true-life story of Easley, a former marine in financial trouble. On the brink of homelessness and an inability to pay for his daughter’s child support, Easley decides to hold a Wells Fargo Bank hostage and make his voice heard through live news coverage. Breaking is a harrowing look into the hardships that veterans face, told through the vehicle of one man, portrayed by Star Wars actor John Boyega.

The director does a great job of using certain shots and sounds to sell the danger of climbing the tower. It comes off as rickety and on the verge of collapse to really build tension. There are numerous close calls that put them in mortal danger and the script does a great job of setting small things up to pay them off later. There was one revelation later in the movie that is telegraphed obviously, but there’s a great twist towards the end that’s well done.

The film’s fractured narrative structure increases a feeling of disorientation; past and present selves run parallel to underscore that these planes of existence are inextricable; this has all been preordained; the story has already been told, and Aurora is merely moving toward her fate. Dialogue is delivered with a consciously unnatural cadence, which brings tension to every exchange, as if there is a subtext to every word which has to be deciphered.

The chemistry among these four characters is great. Mara is stuck living in the past and sees her jaded friends Norberto and Martin as tormentors for wanting her to confront the reality that the good days are long gone. They constantly take small jabs at each other but are much more overtly hostile towards the realtors trying to manipulate Mara. While Mara is clearly delusional and self-centered, you do feel sympathy for her to some degree.