foreign films

How South Korea, Japan, and Other Countries Came to Dominate the Pop Culture Landscape

Garrett Hartman

The growth of foreign media’s popularity poses many interesting questions as to the future shape of media in the U.S. and worldwide. While platforms like Netflix seem content to purchase and serve as a distributor for foreign content, how will American media producers, especially in fields in which they are lagging behind foreigners, try to appeal to domestic audiences? How will questions of media representation be perceived with art created in different nations and different local contexts?

‘The Weasels’ Tale’ Delivers Great Characters and Unexpected Twists and Turns

Ulises Duenas

The chemistry among these four characters is great. Mara is stuck living in the past and sees her jaded friends Norberto and Martin as tormentors for wanting her to confront the reality that the good days are long gone. They constantly take small jabs at each other but are much more overtly hostile towards the realtors trying to manipulate Mara. While Mara is clearly delusional and self-centered, you do feel sympathy for her to some degree.

Brazilian ‘Divine Love’ Depicts a Futuristic Take on Religion and Relationships

Ulises Duenas

In a 2027 version of Brazil, there is a new movement sweeping a country -- one of using unconditional love to become closer to God. Joana works in an office that organizes divorces. She is also a devout follower of the “Divine Love” movement and wholeheartedly believes that love can overcome anything if someone is a true believer. It’s interesting to see the clash of the bureaucracy her work involves and the humanity she displays when talking to clients.

Chinese Film ‘King of Masks’ Focuses on Themes of Love, Tradition and Redemption

Gabriella Tutino

The film, set in 1930 Sichuan, follows a street performer who is versed in the Sichuan opera art of changing silk masks quickly; this skill earns him the name ‘The King of Masks.’ After one of his performances he is approached by another Sichuan opera artist, Master Liang, who is known for his transformations and stage-acting as a woman (his most popular role being The Living Bodhisattva). Master Liang asks the King to join his troupe.

Abderrahmane Sissako’s ‘Timbuktu’ Is a Spellbinding Political Film

Angelo Franco

With ardent subtlety of shifting tones, a number of seemingly unconnected subplots, and breathtaking imagery, director Abderrahmane Sissako’s Timbuktu is challenging and oftentimes unbearably honest, which is precisely what makes this film a beautiful and sensational piece of political art, never at the expense of every accolade it boasts and justly deserves. 

‘German Doctor’ Sheds Light on Nazi Atrocities and Josef Mengele’s Life After WWII

Mark Goebel

The film, Argentina’s selection for the foreign language category at this year’s Academy Awards, is chockfull of well-thought out Nazi symbolism and does a solid job conveying in a subtle way the unremitting perversions that were part and parcel of Mengele’s genetic experiments at Auschwitz. The actors all do a superb job of playing unsuspecting, knowing, or conniving, depending on their role in the film.

Predictable Themes of Ennui, Infidelity Plague Tedious 'In Secret'

Kaitlyn Fajilan

Though "putrid" isn't quite the word to describe this Charlie Stratton adaptation of Zola's classic (though it does boast one or two bloated corpses), there is sense of overripeness to the film, a tinge of déjà vu in that we've seen this story played out countless times before and already know how it is going to end. Elizabeth Olsen (of Martha Marcy May Marlene fame) plays the parentless Thérèse, whose overbearing aunt, Madame Raquin (Jessica Lange), forces her into an engagement with her only child, the sickly and decidedly humdrum Camille (portrayed by Tom Felton). 

Dangerous Delusions Unravel in ‘The Last Elvis’

Angelo Franco

In his directorial debut, Armando Bo (who co-wrote the script with Nicolás Giacobone) uses the seemingly oversaturated Buenos Aires celebrity-impersonators scene to explore the depths of character of one man, Carlos “Elvis” Gutierrez, who is struggling to match his fantasies with the hard realities he faces.   As far as he is concerned, Carlos is the King, not only on stage among impersonators but in his mind as well.

Bourgeois Power Struggles Dominate Lea Frazer’s ‘Notre Univers Impitoyable’

John McGovern

A recurring theme in Shakespeare is the elusive nature of symbolic identities, particularly their relationship to gender. Many of his plays feature gender-bending moments, with characters that dress differently in order to expose the superficial differences between them. This theme runs throughout Notre Univers Impitoyable, and its disjointed narrative plays out two different scenarios involving the power couple of Victor and Margot. 

Fernando Trueba's New Film Searches for the Artistic Ideal

William Eley

"So, the best we can do is to remain in a small corner eating some potatoes… while there is some left," thus states the artist in Fernando Trueba's latest feature The Artist and the Model.  This aforementioned declaration, or, perhaps, exhalation, summarizes well the central thesis of this mesmeric, black and white masterpiece:  war is an interruption, an impediment in the way of beauty and its purveyors.  

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