art

Eugene Delacroix Unbound: Major U.S. Retrospective of the Artist Opens at the Met

Sandra Bertrand

A not-to-be-missed portion of the exhibit are 17 plates (never before seen in their entirety) for an 1828 publication of Faust by Goethe.   It was an early undertaking that elicited this response from the great author himself: “Monsieur Delacroix has surpassed the mental images that I made for myself from the scenes that I wrote.”  There are plenty of opportunities in his drawings to study his aptitude for classical form and his lifelong love for the Greco-Roman aesthetic (inspired in no small part by the 400-year-old Greek War of Independence against Ottoman rule that ultimately led to the demise of his Greek sympathizer friend Byron).  

Abstract, Figurative Artworks Explore ‘Super Bodies’ in New Exhibit

The Editors

The Anita Shapolsky Gallery is pleased to present a cross-cultural and trans-historical exploration of the body in art. “Super Bodies” moves beyond the typical focus on abstract expressionist paintings to exhibit art from a potpourri of artists, periods, countries, and media. Antiques from Japan, China, Burma, and Greece from Anita Shapolsky’s own collection are scattered throughout the exhibition to complement the modern and contemporary works, all exemplifying the ever-present drive to represent the body in both the abstract and the figurative.

The Paintings of Tennessee Williams

The Editors

“The fact that Williams painted, much less that he painted in Key West, is a surprise to many and his paintings have mostly remained outside of the public eye. We are honored to have these works here at the Jewish Museum of Florida-FIU, and to be one of the few museums that David Wolkowsky has selected to exhibit these works outside of their Key West home,” according to Susan Gladstone, the Executive Director of the Jewish Museum of Florida-FIU

Paris Painters Take on Onslaught of Encroaching Cafes

Jack Hunter

For decades, the artists of Montmartre have dazzled sightseers with their rapidly delivered portraits, paintings of Parisian scenes and cartoonish caricatures. But now the painters are threatening to fold up their easels and relocate elsewhere in the French capital, accusing restaurateurs of encroaching on their space.“It’s very difficult to paint now – it’s almost impossible,” said painter Midani M’Barki, 70. “We are now working in the gutter. Is it normal for artists to be put in the gutter?”

The Art of Blayne Beacham Macauley

The Editors

Blayne Beacham Macauley is a painter based in Atlanta, Georgia. She studied Plein Air oil painting in Venice Italy at the Scuola Internazionale di Grafica and Studio Art at Boston University. She uses symbols to create abstract paintings, which represent exact moments in her life.  Her work has been featured in Atlanta Homes & Lifestyles, Southern Living and Southern Seasons Magazine. Macauley’s art explores the idea of the human soul.  As a soul travels through life, it changes.  It grows, learns, and is damaged by life events.  Certain moments in time can permanently impact a soul. 

Zoe Leonard at the Whitney: Artist as Anthropologist

Sandra Bertrand

The eye moves warily over images that at first feel disjointed, even disorienting. The black and white photos are intentionally left uncropped, their black borders adding to their mystery and power.  Even the dates the shots were taken and produced are a noteworthy item of interest to the artist.  A series of clouds seen from a plane window; aerial images of a New York City landscape, somehow make the grid of buildings below appear removed and anonymous from the life that you know pulsates below. 

Binh Danh: The Ghosts of Khmer -- Light and Memory

Lisa Sette Gallery

An homage to both contemporary photographic theory and the black and white binary that defined early photography, the intensely argent surfaces of Danh’s works present a secondary imagery resembling a double exposure, a vibration of shadow and light around the composition’s edges. Whether in the stark chambers of injustice or the luminous expressions of monumental gods, Danh’s images record a secret energy at play in all human endeavors. 

‘Nasty Women/Bad Hombres’: Determination and Daring at El Museo del Barrio

Sandra Bertrand

Many of the artists represented were uprooted from the Dominican Republic and Leslie Jimenez expresses the social disparity in her Humble Heroes from the Stroller Stories of New York series.  Images of domestic workers and their charges are created by intricately weaving polyester thread on vellum.  These are small, painstaking works of great beauty.  Regina Viquerra’s large violet bouquet constructed entirely of plastic bags is noteworthy, mainly as an example of the esthetic possibility in found objects.  

The Dazzling World of Yayoi Kusama

Kazko Nakane

At the entrance, many happy, bright-colored, large paintings hang on the wall to welcome all visitors. “Love Myself (2010)” radiates a joyous pink and blue resembling Matisse but harbors a kick of contemporary uneasiness. One sees an endless number of eyes swarming like a school of small fish on these canvases. The recognition of her work came with her shows in New York and Washington, D.C. galleries consisting of a series of “Net” paintings filled with small dots on huge canvases, some as large as 10 meters in width. 

Women Artists and Postwar Abstraction at MOMA

Sandra Bertrand

It's an old story, one that should have been relegated to the dustbins of history long ago, but the environment in which artists like Berthe Morisot, Georgia O’Keefe, Frida Kahlo and Lee Krasner to name but a few grew up was rigidly defined.  Women were hardly solitary stars but marked by the liaisons, constellations if you will—familial, marital and otherwise—that allowed for their creative endeavors to flourish.  

Pages

Subscribe to RSS - art