It’s a disarming pictorial display, and one which was part of Magritte’s first major exhibit at the Galerie le Centaure in Brussels in 1927.  Executed with a finesse and economy of means that set the artist apart from surrealist compatriots of the fantastic and bizarre—like Max Ernst and Salvadore Dali—it became a precursor for many of his most disturbing images to come.  Masterful depiction aside, the exhibit was not a success and depressed by the outcome, Magritte moved to Paris for the next three years.  

Developed as a follow-up to Megumi Sasaki’s award-winning documentary Herb & Dorothy (2008), this quaint film encapsulates an ordinary couple's extraordinary life and incredible contribution to the America’s modern art culture, as the pair’s life as collectors comes to an end. Herbert and Dorothy Vogel were married in 1962. Herb was a postal worker and Dorothy was a librarian at the Brooklyn Public Library. The couple managed to live of off Dorothy’s salary, while using Herb’s salary to build a huge collection of over 4,000 works of art. 

Danh is well known for his rigorous photographic experimentation, having previously innovated a method of printing images on living leaves in order to create a botanical archive of victims of the atrocities in Vietnam and Cambodia. Similarly, creation of the Yosemite series involved outfitting a specialized van for the on-site creation of large-scale daguerreotypes and spending many seasons camping and working from within the park.

While we understand that these works are fastened to the canvas, that the paint is permanent once dried, there is an ever-evolving quality to their surface—one seems to not only respond emotionally, but the paintings themselves react optically to the colors and light around them. Stripped of narrative and void of external references, what remains is pure and intense color. In an age where artists are constantly exploring new mediums and trying to break away from what has already been done, Eric Freeman finds his mode of expression by pushing through the traditional medium of oil on canvas. 

Beyond the media spectacle and daily tourists, a parallel world exists within London. A world that seems not to observe the visitor. A reality away from the opulence, the speed and the cosmopolitan daily routine. These are neighbors, people with experiences, or those with more or less truncated lives. People who move silently, unheard, ubiquitous among visitor masses, blind and hardworking.

Oliver Šin (1985-) is an award-winning Hungarian artist based in Budapest. His influences come from street art, underground and pop culture mixed with scientific interests. The focus of his artworks are built around prophets, visions with dates, real places and existing people. With direct brushwork, he mostly uses unmixed colors structurally, like an abstractionist, but in the service of a narrative agenda. 

Unlike some who have thrown up their hands in understandable despair, the shootings and the plight of black men in Chicago and elsewhere have sparked Gay's imagination and creativity. She used her skill as a painter to provoke members of the black community to take a new look at what is happening to their sons, not to look away. Gay's paintings also bid the black community to look at black men as human beings and fathers.

Ever the maverick, Foulkes was not content to stay with this format, however popular. While he would reference his rock paintings in future pieces, he took a dramatic turn with his “Bloody Heads” series—although “obscured heads” might be a better descriptor. Portraits with faces obstructed by bright red, blood-like strokes or symbolic objects (a doctor’s head, for example, has an X-ray superimposed upon his face, while a geometry teacher has a triangle) are jarring in their juxtaposition of the macabre with the mundane. 

Chris Marker wrote in the introduction to his 1997 multimedia CD-Rom Immemory, “I claim for the image the humility and powers of a madeleine.” In that CD-Rom and in many of his other creative endeavors, Marker continued the process of memory’s cartography. He embraced a multitude of genres as mapmaking tools, the span of his work communicating the dependence of the image to its memory. He cobbled together the realities of disparate cultures, mending the breaches in time through preservation of minutia and banality. 

At the young age of 12, the child prodigy has commissioned six-figure works of art and has garnered national and international acclaim for her colorful tributes to Marilyn Monroe.  Her artistic style has been compared to iconic abstract painters including Andy Warhol, Jackson Pollock and the Picasso. Her exhibitions have defined her as one of the most accomplished and recognized prodigies of our time.  Her original masterpieces have sold for tens of thousands of dollars, and have been acquired by several major art collectors.