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The Art of Blayne Beacham Macauley

The Editors

Blayne Beacham Macauley is a painter based in Atlanta, Georgia. She studied Plein Air oil painting in Venice Italy at the Scuola Internazionale di Grafica and Studio Art at Boston University. She uses symbols to create abstract paintings, which represent exact moments in her life.  Her work has been featured in Atlanta Homes & Lifestyles, Southern Living and Southern Seasons Magazine. Macauley’s art explores the idea of the human soul.  As a soul travels through life, it changes.  It grows, learns, and is damaged by life events.  Certain moments in time can permanently impact a soul. 

Zoe Leonard at the Whitney: Artist as Anthropologist

Sandra Bertrand

The eye moves warily over images that at first feel disjointed, even disorienting. The black and white photos are intentionally left uncropped, their black borders adding to their mystery and power.  Even the dates the shots were taken and produced are a noteworthy item of interest to the artist.  A series of clouds seen from a plane window; aerial images of a New York City landscape, somehow make the grid of buildings below appear removed and anonymous from the life that you know pulsates below. 

Binh Danh: The Ghosts of Khmer -- Light and Memory

Lisa Sette Gallery

An homage to both contemporary photographic theory and the black and white binary that defined early photography, the intensely argent surfaces of Danh’s works present a secondary imagery resembling a double exposure, a vibration of shadow and light around the composition’s edges. Whether in the stark chambers of injustice or the luminous expressions of monumental gods, Danh’s images record a secret energy at play in all human endeavors. 

‘Nasty Women/Bad Hombres’: Determination and Daring at El Museo del Barrio

Sandra Bertrand

Many of the artists represented were uprooted from the Dominican Republic and Leslie Jimenez expresses the social disparity in her Humble Heroes from the Stroller Stories of New York series.  Images of domestic workers and their charges are created by intricately weaving polyester thread on vellum.  These are small, painstaking works of great beauty.  Regina Viquerra’s large violet bouquet constructed entirely of plastic bags is noteworthy, mainly as an example of the esthetic possibility in found objects.  

The Dazzling World of Yayoi Kusama

Kazko Nakane

At the entrance, many happy, bright-colored, large paintings hang on the wall to welcome all visitors. “Love Myself (2010)” radiates a joyous pink and blue resembling Matisse but harbors a kick of contemporary uneasiness. One sees an endless number of eyes swarming like a school of small fish on these canvases. The recognition of her work came with her shows in New York and Washington, D.C. galleries consisting of a series of “Net” paintings filled with small dots on huge canvases, some as large as 10 meters in width. 

Women Artists and Postwar Abstraction at MOMA

Sandra Bertrand

It's an old story, one that should have been relegated to the dustbins of history long ago, but the environment in which artists like Berthe Morisot, Georgia O’Keefe, Frida Kahlo and Lee Krasner to name but a few grew up was rigidly defined.  Women were hardly solitary stars but marked by the liaisons, constellations if you will—familial, marital and otherwise—that allowed for their creative endeavors to flourish.  

Paying Homage to a Photography Legend: Diane Arbus at the Met Breuer

Sandra Bertrand

A decade after her untimely death by suicide in 1971 at the age of 48, a trove of never-before-seen images were unearthed, stored in a basement darkroom on Charles Street in the West Village. And two-thirds of those images on display have been generously produced by her daughters, Doon and Amy Arbus for this exhibit.   What a viewing experience it is.   

‘Photography and Foul Play’ at the Met

Sandra Bertrand

Unquestionably, this is one exhibition that gives the viewer plenty to look at.  As a walk along history’s treadmill, it divvies up a rich array of humanity—replete with all its smiles and snarls.  Samuel G. Szabo (1854-61) was an early bird who snagged shoplifters, wife beaters, pickpockets, burglars and highwaymen in his lens, then meticulously placed them in an album with oval cutout frames and descriptions in the finest calligraphy.  

Meet the Staff at Highbrow Magazine: Chief Art Critic Sandra Bertrand

Sandra Bertrand

For the last several decades, I have been actively pursuing my interests in the fine arts.  My writing has encompassed plays, articles and reviews on many aspects of the fine arts, i.e., paintings, film, theatre, books and the popular culture at large. My travels have recently taken me to Crete, Greece, Peru, Belize, Puerto Rico, Costa Rica, Spain, and wherever the muse calls.  My own paintings are often the result of these wanderings and I am an active member of the National Association of Women Artists, (NAWA). As Chief Art Critic for Highbrow Magazine, and a long time resident of New York City, I love covering the art scene in museums, galleries and venues, reading the pulse in one of the most fascinating places on the planet.

Picasso’s Sculpture Show at MOMA – The Artist’s Giant Playpen

Sandra Bertrand

Occupying the entire fourth floor galleries, the exhibit allows the spectator to experience many enthralling works in the round, returning to re-examine, question, and wonder at the prolific, unstoppable genius of the man.   A handy takeaway pamphlet with sketches and accompanying descriptions eliminates the need for wall notes.  This reinvention of gallery space to accommodate approximately 140 sculptures is the handiwork of curators Ann Temkin and Anne Umland, with the assistance of Virginie Perdrisot, Curator of Sculptures and Ceramics at the Musee National Picasso in Paris. 

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