american writers

The plot, such as it is, kicks in when Paul discovers that someone, perhaps a former patient, has begun to impersonate him online. First, a new company website appears (not of Paul’s doing), with more or less accurate staff bios for everyone but him (which instead of facts about his life promulgates strange notions about religion). Then there’s a Facebook page, a Twitter account and a Wikipedia entry—every upsetting development reported to Paul by Connie or Mrs. Convoy while he’s hard at work deep inside the mouths of his patients.

It seems in many ways that Paul Bowles led a charmed life.  The new sounds of jazz had been forbidden in an inordinately strict household—though his mother’s reading of Edgar Allen Poe became an inspiration for his later stories.  A closeted homosexual and a fatalist at heart, he had tossed a coin:  heads he would take his own life, tails he would head for the City of Light.  His early musical talents caught the ear of composer Aaron Copland, his traveling companion for his first trip to Tangier.  But it was in Paris that Gertrude Stein discovered her “Freddie.”  

The year is 1945. The setting, the outskirts of Salzburg, Austria. Newly victorious American soldiers approach a series of over 40 passenger and freight wagons from Hungary. To their surprise, inside the wagons are the countless possessions of Hungary's displaced Jews--from gold watches, to silver candlesticks, to silk bedsheets, to old manuscripts--they number in the hundred thousands, their records of ownership tenuous at best. This mass of abandoned items will become known to history as the Hungarian Gold Train.

If a purpose of literature is to expose universal truths about life and human nature, then David James Poissant’s The Heaven of Animals has done its job. Poissant, a celebrated young writer whose stories have appeared in such publications as The Atlantic Monthly, The Chicago Tribune, and The New York Times, and whose work has already garnered impressive literary awards and critical praise, presents layered storylines and realistically flawed characters in his first collection of short stories.

The decision proves to be a masterstroke, since one of the chief pleasures of On Such a Full Sea is the anxious, reflective, self-questioning and cautiously prideful “chorus of We” that tells the story of Fan, a 16-year-old fish-tank diver in a highly stratified, post-apocalyptic America. The collective voice emanates from B-Mor, “once known as Baltimore,” whose inhabitants are charged with raising fish and vegetables to feed the elite Charter villages, located across a vast, lawless territory called the “open counties.” 

One of the United States' most prolific and beloved authors and poets has died at the age of 86. Maya Angelou was a Renaissance woman whose life inspired six autobiographies, including her internationally celebrated first memoir, I Know Why the Caged Bird Sings.  Angelou was found unresponsive in her Winston-Salem, N.C., home. Her death comes just days after she canceled an appearance in which she was to be honored at the Major League Baseball Beacon Awards luncheon in Houston.

The roaring Twenties, organized crime, crooked politicians, the assault on the newspaper industry by big money, sex, love, romance; Truth to Power by J.S. Matlin has it all.  Only it still manages to fall flat.  The book, broken into three subsections, begins in 1924 with the central character, David Driscoll, pulling into a town called St. Luke in the American Midwest.  Humiliated by the discovery of his dalliance with the editor-in-chief’s wife and an unethical arrangement with an advertiser, he is sent packing from his first job at The St. Louis Star to a smalltown newspaper called The St. Luke Bugle.

As an historical novel, The Grapes of Wrath is rooted in the events that took place three-quarters of a century ago, which may make it seem dated to some readers. But though times have changed, many of the troubles that the Joads confronted are (unfortunately) still with us – economic injustice, the struggle for human worth, corruption. Of equal significance, the work deals with nearly universal themes – human dignity, the struggle for survival and, more than anything else, hope – that make it as pertinent today as it was 75 years ago.