Through her lyrical videos Behbahani stages a contemporary cultural critique by layering and juxtaposing allusions to past and present sociopolitical circumstances with a language that she draws from her experience as a painter. Her work has been featured in the 18th Biennale of Sydney, Australia; Sharjah Biennial 10, UAE; Queens Museum, New York; The Eli and Edythe Broad Art Museum, Michigan; MACRO, Museum of Contemporary Art, Italy; Mimara Museum, Croatia; The Tribeca Film Festival, New York; as well as the Asia Art Biennial, Bangladesh, among others.

Brooklyn Museum’s long-term installation Connecting Cultures: A World in Brooklyn brings objects from the museum’s extensive collection and unites them thematically. Rather than visit different galleries representing specific time periods and/or cultures, this singular space set on the main floor provides an intimate archive of works from across the globe that range from antiquity to the contemporary. 

There are few artists who can lay claim to as recognizable a body of work as Andy Warhol.  Indeed, support for his legacy has emerged in all corners of the world making him an international superstar of the art world, rivaled perhaps only by Picasso.  As a new bevy of collectors enter into the Postwar and Contemporary Art market, from the newly emergent BRIC countries (Brazil, Russia, India and China), Warhols are finding their way into homes all over the world.  For many new art collectors looking to amass a respectable (and valuable) collection, Warhol has become a popular way to make a foray into the sometimes volatile world of art investment.