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His war begins with a quiet palette of turquoise and green; soft, shaded layers of blue and white layered like quicklime over all the darkness to follow. The plane banks left. Their shadow, a hundred yards behind them, flits over the shimmering surface of the South China Sea. Ahead, blue waters lap against brilliant white sand. A canopy of jungle fronting the beach glows green in the slanting rays of the late-afternoon sun.
It shouldn’t be surprising that a movie by Spike Lee explores themes of race and racism in a thought-provoking way. Da 5 Bloods opens with war footage and speakers remarking on the historical use of Black soldiers as frontline infantry. The entire plotline about the buried gold is centered around the idea of taking the gold as a way to “stick it to the man” and support their people. Several characters remark about the injustice of Black people not having the same rights as others despite spilling their blood on the battlefield in large numbers through various wars.
The Vietnamese are not alone in facing the scourge of landmines. Worldwide, millions of landmines currently lie hidden in soil that might otherwise be utilized for the creation of crops or placement of shelter. As with COVID-19, landmines represent a large-scale loss of life from an invisible threat. The need for global collaboration to overcome both of them make the nexus clear, as does the passion needed to prevail over them both.
Drugs and alcohol played an active part throughout Stone’s work. This reflected his own experiences with intoxicants of one sort or another. It also found expression in the idea that mind-bending drugs and distorted perception might lead to a higher truth or to abject tragedy. “It’s a mess when everybody’s high,” he writes in “A Higher Horror of the Whiteness.” “I liked it better when the weirdest thing around was me.”
As a young man, few books exerted anything like the formative power held by Kurt Vonnegut's Slaughterhouse-Five. Despite the grim acceptance of a world with conflict and war, Vonnegut still fell into writing an anti-war book, perhaps an anti-war book highly ranked among the best. This year marks the 50th anniversary of its publication, and, accordingly, Modern Library has released a new edition with a foreword by Kevin Powers. And, as the foreword shows in splendid detail, the lessons of Slaughterhouse-Five are just as relevant today as they were in 1969.
The Festival takes place at a critical and turbulent time in modern American history. In a society increasingly marked by division and conflict, due initially to the struggle for Civil Rights and then to the slowly gathering campaign to stop the War, the US Administration is keen to ensure that alternative voices to the those on the radical Left can be heard. For although Lyndon Johnson, from taking office in 1963, has been a reforming president, introducing large-scale social programs to alleviate poverty, end racial discrimination and improve educational opportunity, he is in danger, as a result of his military interventions in Vietnam.
Forty years have passed since the Vietnam War ended, and a parade was staged in Ho Chi Minh City, formally Saigon, to commemorate that date. Yet despite the fanfare debates rage on both sides of the Pacific as to who really won and who lost that war. While the hammer and sickle and Uncle Ho’s image may still adorn T-shirts it sells to foreign tourists, Vietnam’s heart throbs for all things American, especially Apple.