That mystique -- and controversy -- still cling to the movie producer, investor, and political adviser. With his one-time employer Donald Trump now in the fight for his electoral life, and Bannon embroiled not only in a fraud case but the uproar of the discovery of a computer alleged to be Hunter Biden’s, now is an opportune time to revisit Bannon and look for that vital spark imparted on the 2016 Trump candidacy through the lens of Errol Morris's interview documentary American Dharma.

Before the September 11, 2001, attacks, before the current pandemic, grief of such cataclysmic proportions seemed unimaginable for many.  But when sculptor Suse Lowenstein’s son Alex, along with his schoolmates, was lost in the bombing of Pan Am Flight 103 over Lockerbie, Scotland, on December 21, 1988, unimaginable grief became a tragic reality for her.  The question was, how to survive it?

But his true pleasure is in showing us the old masters, his face lighting up with a child’s excitement.  We peer closely along with Uzzle as he shows us how to look at a painting as if it were a photograph, finding new meaning in the color black or the chiaroscuro effect of dark and light on a subject’s face.  As for faces, he sees each one as a new frontier, “as deep a frontier as you’re capable of exploring.”

But Tattoo Uprising doesn’t really cater to viewers who aren’t already tatted — and perhaps it shouldn’t be. I would imagine, although I can’t say for sure, that anyone with a heavy interest in tattoos will find depth and significance in this film, but for me, the spine of the narrative is inert. There’s no narrative progression or innate rhythm to the storytelling, and as a result the movie feels more like a casual exploration punctuated by historical tidbits that range from valid to questionable.