We might talk about what makes a great American. Great ones we’ve known. Teachers would be thick among them, and older people of integrity we’ve been lucky to know. My grandfather. My parents. Artists are my heroes, too. I’d talk about Berger, and Merwin’s poem “Thanks.” We’d stay up late. I’d plug in the porch lights.The pie would be pretty great. And after we caught up on her last ten thousand years — Say what you want about global warming, she’d laugh, but I was pretty excited at first, when that last ice sheet started to go away — she might ask what I’ve been up to.

Here’s what, I believe, neither Huxley, nor Orwell, nor any of us saw coming: It’s not a matter of government using technology to enslave the people. It is a matter of technology using the government to harness people’s loyalties, monies, and energies. It is about the creation of a vast, quiet sea of smiling economic slaves. Technology has proven itself more of a powerfully uniting force than government. The Trump/Never Trump divide is real and is full of unforgivable (and unforgiven) vitriol that promises to last into the next decade.

John Zada went on multiple journeys to the Great Bear Rainforest in British Columbia for his new book, In the Valleys of the Noble Beyond. In small towns and villages, Zada meets many people who claim to have seen the Sasquatch, “the alleged race of half-man, half-ape giants” on the loose in the wild. Like its distant counterpart, the Yeti, a rumored denizen of the Himalayans, the Sasquatch, aka Bigfoot, has purportedly left behind footprints and engaged in random encounters with hunters, fishermen, and members of the Kitasoo, Heiltsuk, and other First Nation peoples.

The scope of reporting in The Outlaw Ocean is remarkable. Urbina covers a wide swath of oceangoing banditry and mayhem, and delivers his findings in clear, transparent prose that brings this sordid activity to life. Often the conditions in which he’s present are serious, if not potentially life-threatening. On a Ghanaian port police boat, for example, “the waves swelled to fifteen feet high, and I sensed that the men, not without reason, were getting scared.”

In a second narrative strand, a Turkish refugee and outlaw named Lurie Mattie finds his fortunes inextricably linked with the U.S. Camel Corps, a little-known (and real) adjunct of the military around the time of the Civil War. Throughout his part of the story, spanning some 40 years, Lurie addresses his dromedary pack animal, Burke, as they make their way across the Wild West. Lurie, too, speaks with the ghost of a fellow renegade. Inland is saturated with the realm of the occult and more than a hint of magical realism.

The Metropolitan Railway was a novel attempt to solve a slightly different transport problem: how to get around or across the congested city quickly and conveniently. At the Parliamentary Select Committee on Metropolitan Communications in 1855, one witness who gave evidence complained that it took longer to get across town, navigating the crowded streets from London Bridge to Paddington, than it did to travel up to London by train from Brighton. Some might argue that the situation has not improved much, but the growth and development of London’s underground railway system over more than 150 years have been phenomenal

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Armed with a self-proclaimed mission to “sleuth” American ground (“to understand the change in landscape form and meaning and what it could tell us about ourselves as a society now”), Lessard embarks on numerous journeys, described in the series of essays that make up The Absent Hand. Destinations range from her home village of Rensselaerville, New York, and the Civil War battlefield of Gettysburg to King of Prussia Mall in Pennsylvania and Truth or Consequences, New Mexico.

A decade or two into the future, after a tumultuous global climate event called the Change, an island nation (much like England) has built a Wall to protect itself against marauding outsiders, known as the Others. Those charged with protecting the borders, known as the Defenders, must maintain a 24/7 vigilance against attack and penetration. In many ways, it’s a world not all that different from what we know today, except that—as one example—rising waters around the planet have made beaches extinct.

American Prison aims to be several different things, including a first-person undercover account of what it feels like to guard a general population in a for-profit prison. It’s also  an in-depth history of American convict labor and the rise of private prisons since Colonial times—and how outsourced incarceration has grown over time into a huge business. Bauer’s risky enterprise into life as a corrections officer was partly informed by his experiences as a prisoner in Iran for more than two years. 

In Beautiful Country Burn Again, Fountain revisits the tumultuous 2016 presidential campaign. Interspersed with his vivid, on-the-scene reportage are sections he calls “Book of Days,” a more or less objective compilation of world events taking place in the months leading up to Election Day. (It makes for grim reading.) He also theorizes at length about something he calls The Third Reinvention, addressing—with the hopes of reforming or eliminating—wealth inequality, white supremacy, and damage already inflicted on the democratic system.