The Punishment does a lot with a simple premise, a small cast, and no real sets. It shows that you can make a good movie out of the simplest premise with the right combination of fine writing, cinematography, and acting.

The performances of the cast keep things interesting, and the writer does a good job of mixing in some humor, so that the film doesn’t feel overly dramatic. It all pays off with some very emotional and even cathartic moments by the end.

Simmons opens the film by gassing up his motorcycle in a rural area and shooting three people there for no reason. Even though his character is a psychotic killer, Simmons is charming in this role -- too charming in fact. His casual attitude towards his actions is funny and takes away from any feeling of dread that a thriller needs in order to be compelling.

John Lennon once said: Life is what happens while you are busy making other plans. And Adios Buenos Aires captures this sentiment perfectly.  As Julio dreams of abandoning Buenos Aires in favor of a fresh start, he is forced to reckon with the people and events that hold him back.

In curating this lineup, I selected four films that all share one specific point of commonality: flawed people trying to make it through their day despite the odds being stacked against them. Some stories are more successful than others, yet these four films demonstrate a unique perspective in their search to make sense of our current American lifestyles.

Godfrey was returning to the area at the time to find inspiration for a book about the lives of the girls who live in a group home since they have nowhere else to go. There, she meets Josephine Bell, the de facto leader of the girls. Godfrey quickly learns of their harsh lifestyle and the fact that the city sees them as disposable.

The new film, the feature debut of Damian Hurley (son of star Elizabeth Hurley), is melodrama at its most melodramatic. In fact, there are times when the tone verges on parody, but the swelling music and cast’s deadpan delivery argue that audiences are to take all this excess seriously.  

The film focuses on the dynamics and turmoil of the Von Erich family, so less attention is given to the actual wrestling side of things. It’s understandable since this is primarily a drama and not a sports film. Still, I would argue that delving more into the careers of the Von Erichs as wrestlers is necessary for fleshing out their story completely.

If you can find this in theaters, watch it; if you see it on Blu-ray, buy it; and if it shows on a streaming service, then grab a drink and get ready for a top-tier classic. The Holdovers has what it takes to be a timeless film that will be replayed every holiday season for years to come.

Gordon-Levitt and Hewson have excellent chemistry, but the fact that most of their interactions take place via Zoom surely presented an acting challenge. Most often shown as a face on a screen, Gordon-Levitt had to establish his character without the benefit of considerable body language. Hewson was not as restricted, as she freely interacts with other performers.