authors

Mantel’s work of short fiction, Learning to Talk (published in the U.S. in 2022, originally in the UK in 2013) has a much narrower focus—that is, stories of a troubled Catholic childhood in the North of England in the late 1950s and early 1960s. The seven stories are all told in a first-person (mostly female) voice of an adult looking back on pivotal moments in childhood, set against an industrial backdrop and within the world of a highly unorthodox nuclear family.

Highbrow Magazine Contributing Writer Barbara Noe Kennedy is an award-winning writer and editor, who specializes in travel writing. She worked for more than 20 years for the National Geographic Book Division, and she has also written for the Washington Post, National Geographic Traveler, the Los Angeles Times, and Fodor's -- in addition to penning a few books. She is a recent Lowell Thomas travel journalism award winner. Barbara has traveled extensively around the world and, along with her husband, is actively involved in helping Zambian students achieve their education and career goals. She writes travel articles and film reviews for Highbrow Magazine.

These stories began back when I was in my 20s. I was truly lucky to have many friends who were smart, creative, considerate, skilled, collaborative, not needlessly difficult, and a pleasure to be around. I knew that, in the working world, they would be huge assets and great team members at any organization they worked for: Yet, so many of them seemed to have managers that were making their work lives miserable. 

His ownership serves as a springboard for what emerges as a thorough examination of how land ownership has influenced the sweep of history. In the course of his far-reaching study, Winchester looks at demarcation of property lines in the Bronze Age, the cruel land grab from Native Americans in the 18th and 19th centuries, mass starvation in Stalinist Russia, and the age-old conflict over territory between Israel and Palestine.

My goal was to try not to think. When I was away, I was a good enough father through texts. I would wait to hit send once the wheels left the tarmac. I don’t know why I would procrastinate until a single column of cell signal remained. By the end of the year, though, I was taking seven pills a day just to freeze the frame of my decline. Grief can bleed you into white nothing. Colin soon became symptomatic.

James Atlas, the author of Delmore Schwartz: The Life of an American Poet and Bellow: A Biography, has written a sort of “summing-up” of his own life, large chunks of which he’s devoted to chronicling the lives of an obscure poet of the 1930s and Saul Bellow, the Nobel Prize-winning novelist of more recent times. His memoir, The Shadow in the Garden, is an often fascinating—and, at times, very personal—account of the nearly insurmountable tasks of completing an in-depth literary biography.

Relating events that occurred a half-century or longer ago in present tense does convey a certain kind of urgent immediacy.  On the other hand, when the narrative jumps around in time from chapter from chapter—alternating between the aftermath of her sister’s death and the years they spent growing up together (and apart)—a certain lack of clarity may emerge. When exactly did a particular event take place? 

Yes, these stories are bleak and the author seems strangely obsessed with acne, scars, and other unglamorous bodily functions. But Ottessa Moshfegh’s vision surpasses these particulars and Homesick for Another World emerges as among the most profound, absorbing short story collections to appear in years. And you can take that critical hype to the bank.