In “The Grandmaster,” director Wong Kar Wai pays homage to Ip Man (also known as Yip Man), a Chinese grandmaster who trained a number of influential martial artists, most notably the deceased action star Bruce Lee. Although Lee is better remembered than his master, things are changing thanks to several recent film projects centered on Ip Man and his legacy. These include “Ip Man” and “Ip Man 2,” Hong Kong action films featuring Donnie Yen as the title character. 

Director Steve McQueen’s hauntingly graphic depiction of slavery even made some people declare they were sitting this one out because they couldn’t bear to watch. The film has seeped into America culture. The long-term effects may never be fully measured, but the recent announcement that both the movie and the memoir on which it is based will be used in high school curricula ensures that people will be discussing it for years to come.

Steve McQueen's masterful 12 Years a Slave has already changed history in two major ways: It is the first Hollywood-backed movie on slavery directed by a black filmmaker, and based on Solomon Northup's 1853 oral account, it is the first film ever based on an actual slave narrative. While the former results from the dearth of black directors who are able to get historical dramas funded and distributed by major studios, the latter reveals a more troubling truth. 

Some of the best movies have no villain  or hero. Director Steve McQueen’s main character Brandon, played by Michael Fassbender in what ought to be an Oscar-winning performance in “Shame,” is neither. McQueen’s new film is executed to a startling perfection. It reveals deeper truths about self-control and a lack thereof, and how self-control on the surface could be used to conceal a certain chaos and desperation within.