Gail Albert Halaban’s new series Italian Views — with an accompanying monograph from Aperture (2019) — extends the photographer’s ongoingproject to the cities of Venice, Rome, Naples, Palermo, Florence, Lucca, and Milan, collaborating with pairs of neighbors in these cities to create visual short stories that the viewer is invited to write for him/herself. Halaban’s seriesis a collection of images taken through and into windows in New York City, a project that earned her international recognition in 2012.
The drive to destroy the private sphere of consciousness inextricably links Moore's law and Singularity with advances in surveillance, data mining and the systematic destruction of personal privacy. Singularity and privacy will not coexist, although the technology that propels us toward the Singularity needs privacy and its destruction to study human intelligence more acutely. As private consciousness becomes more available for examination and translation, Singularity becomes more realistic.
Who is mined, who is profiled, and who suffers at the hands of an extensive regime of corporate and government surveillance raises issues of social and racial justice. PRISM, the National Security Agency’s clandestine electronic surveillance program, builds on a history of similar efforts whose impacts have affected racial and ethnic minorities in disproportionate ways. The Federal Bureau of Investigation’s Counter Intelligence Program (“COINTELPRO”), established in 1956, represents one of the forbearers of PRISM.
Despite Bloomberg Businnessweek's accusation that the Chinese army is spying on Americans, the report that led to the charges has serious flaws. These raise troubling questions about a repetition of the "China spy syndrome." Beginning with The New York Times January 30 disclosure of Chinese hacking, every publication of note or of little note has since run one or more stories on cyber attacks emanating from China.
If Boseman wins a Golden Globe for his performance (he is nominated for best actor in a drama), some will believe it is out of sympathy. That thought should be dispelled now, as it diminishes his incredible work. In “Ma Rainey,” based on the like-titled August Wilson play, Boseman plays Levee Green, a trumpet player in a music world where black artists are mercilessly abused. Although capable of writing and playing with the best, Levee is relegated to backing Ma Rainey (Viola Davis, also nominated for a Globe), a black diva who has achieved enough fame and success to hold sway over white record producers.
At the same time, wood—in its “original” state as trees—has been adversely affected by global climate change and other environmental factors. This has led to wildfires of unprecedented fury and reach, including the megagires in Australia in 2009 that generated an inferno of hellish proportions, eventually covering more than 100 million acres. What comes across most vividly in this panoramic study of wood is Roland Ennos’s love of the subject.