If media deregulation and censorship by proxy constitute subsurface, tectonic shifts in the U.S. media landscape, then attacks on reporters and other direct assaults on the integrity of journalism stand as more obviously concerning developments. In late 2018, Reporters Without Borders (RSF) listed the United States among the world’s most dangerous nations for journalists—the first time the United States ranked in the top 5. By 2021, the United States ranked only 44th out of 180 countries in RSF’s annual World Press Freedom Index.

Over the past five years, though, another kind of press criticism has come to prominence after a period of marginalization. This brand of press criticism takes a free and independent press as a necessity for life in a democratic society. Instead of seeking to delegitimize the press, these critics are simultaneously explaining the workings of the press to the public and holding it accountable in its role as the public’s representative and watchdog.

Hartnett paints Malarek as a hard-charger who will stop at nothing to get his story, and viewers watch that story unfold as each new detail emerges. The nonlinear structure is complicated, but easy enough to follow thanks to writer-director Daniel Roby’s straightforward style. Roby presents the action simply, letting his actors drive the emotion and his camera go where it needs in order to keep us tuned in.

There will be time for an outbreak postmortem once the U.S. gets past the threat of the coronavirus  --  and the nation will move past it, just as it has countless challenges in the past. The question now is how many Americans will suffer and how many will die unnecessarily. Our goal should be to protect as many fellow citizens as possible, regardless of political affiliation, race, age, gender, etc. Viruses neither care about nor recognize these traits, nor should we when addressing a crisis. Unfortunately, our efforts to safeguard the populace have been seriously undermined by the current social and political climate, rife with division and prejudice, and this climate has been not only fostered, but furthered, by the current administration.

The average Facebook user sees only 20 percent of the 1,500 stories per day that could have shown up in their news feed.  The posts you receive are determined by algorithms whose bottom line is Facebook’s bottom line.  The company is constantly adjusting all kinds of dials, quietly looking for the optimal mix to make us spend more of our time and money on Facebook.  Of course the more we’re on Facebook, the more information they have about us to fine-tune their formulas for picking ads to show us.  

For news headlines, 2013 didn’t disappoint. From ongoing violence in the Middle East to the rollout of landmark health care reform here at home, the ascension of a new pope and the passing of an international human rights icon, the year’s tumult was splashed across news Websites and front pages worldwide. But for U.S.-based ethnic media, there were other stories that – while less reported – hit closer to home. 

No progress was made to end a budget impasse that resulted in a government shutdown since 12:01 a.m. on Tuesday. News of the shutdown, which includes the closure of all national parks and a work furlough for 800,000 federal employees, generated a big response in the ethnic press. Key areas of concern included the shutdown’s effect on federal workers, loss of funding for social services, ramifications for immigration reform, and environmental impacts.