In Love Me, a buoy played by Kristen Stewart falls in love with a satellite portrayed by Steven Yeun. That’s not a metaphor; it's actually what happens. Confused? Don’t worry, that is the point. Love Me explores the metaphysical power capable of penetrating logistical reason: love.

“Now You See Me” starts with such energy and panache that it’s easy to imagine it becoming a classic. Alas, director Louis Leterrier (“Clash of the Titans,” “The Incredible Hulk”) allows the project to flag as it moves toward its final act. The picture’s flaws, most of which can be pinned on a weak twist ending, are frustrating, but primarily because the setup shows so much potential. 

Director Pierre Morel’s “Taken” was a surprise hit in 2008, and it helped turn Liam Neeson into a full-fledged action star. In the film, Neeson introduced us to Bryan Mills, a former CIA operative with an uncanny aptitude for finding and dispatching bad guys. After learning that his daughter, Kim (Maggie Grace), fell victim to a human-trafficking ring, Bryan travelled to Europe and put his skills to work, eventually recovering her. 

Continuing the tradition of films that capture the magic and mystery of the Eternal City, the most famous of which are Federico Fellini’s“Roma” (1972), William Wyler’s “Roman Holiday” (1953) and Roberto Rossellini’s “Rome, Open City” (1945), Woody Allen’s new film, “To Rome with Love,” is his own portrait of of Rome. In an ode to the Italian capital as well as to Italian cinema, Allen adopts a structure more similar to that of Fellini in “Roma” with a series of loosely connected episodes. Through these stories, Allen pays homage to the city’s beauty, energy and its knack for absurd situations