Focusing on the inherent tension between reality and fiction in photography, Mónika Sziládi’s digital collage constructions investigate the complexities of human behavior and group dynamics. Her photographs illustrate the paradoxical relationship between the multitude of possibilities for re-invention and individual expression offered by society along with the pressure for assimilation perpetuated by interactions with new media. Hrvoje Slovenc documents psychologically charged domestic environments that evoke the illusory relationship between fact and fiction. He possesses a deep interest in the many visual languages photography offers.