gory films

‘Sunrise’ Excels at Confusing the Audience, Not Entertaining Them

Ulises Duenas

The beginning of the movie revolves around Guy Pierce’s character going on a rant about how different kinds of people aren’t meant to live together. The villain is so cartoonishly hateable that he ends up carrying the film. On the flip side, you have Alex Pettyfer who plays Fallon, the vampire who eventually decides he will do something about the evil bigot who is tormenting the town.

A Look at Hyperviolence in Media

Garrett Hartman

Countless videogames, films, and television series utilize this shorthand. Think of almost any piece of media set in World War II; the countless zombie films, games and TV shows. Demons are admittedly less utilized outside of games; however, trade them in for generic “aliens” in Hollywood and you have a pretty close match. We are then allowed to be happy to kill these “enemies,” and see them die in horrific ways because they are morally bankrupt.

‘Sisu’ Bombards You With Relentless Violence

Ulises Duenas

This movie is like a slasher flick crossed with “Fury Road,” and while the kills can get creative and ridiculous in a fun way, I wish there was more heart underneath all the blood and gore. If the movie didn’t have the budget for constant spectacle or complicated choreography, then it would have been nice if it fleshed out the main character to be more interesting, but he doesn’t say a word for most of the movie.

‘Cocaine Bear’ Is ‘Highly’ Problematic

Garrett Hartman

The antagonist of the film is shifted away from the clear and obvious villain and the film is punctuated with yet another overindulgent and unpleasant death scene. The film is a frustrating montage of violence whose story and comedy serves solely as a thinly veiled excuse to view and trivialize death. My dislike of this film is not merely a distaste for gore. I would argue I’m quite the fan of gory media, but this film simply lacks any of the tact that makes gory movies fun.

Subscribe to RSS - gory films