Everyone knows the filmmaking conventions that make a good heist movie: a mismatch of eccentric characters each with their own skill set, speeches about how the impossible task is actually possible, and the execution. Heist movies always feature the debonair hero, the hothead, the uneasy alliance, the romantic interest, and a villain. A heist film lives and dies on its storyteller’s ability to overcome the derivative and craft something exciting. John Barker’s The Umbrella Men represents the highs and lows of the genre.

Breaking tells the true-life story of Easley, a former marine in financial trouble. On the brink of homelessness and an inability to pay for his daughter’s child support, Easley decides to hold a Wells Fargo Bank hostage and make his voice heard through live news coverage. Breaking is a harrowing look into the hardships that veterans face, told through the vehicle of one man, portrayed by Star Wars actor John Boyega.

Tone is important in a movie like this and the first few scenes make it hard to determine what kind of tone the director was shooting for. At first, it seems like a serious look at Bundy’s crimes, but the music and writing feel like they’re from an old VHS slasher flick. The whole soundtrack feels very ‘80s, which is odd considering the movie takes place in the 1970s.