Charlie Day plays a man recently released from a mental institution who has no ability to communicate with people and is largely unaware of the things going on around him. Making the character mute could have been done well, but when that character is also incapable of communicating, it makes it difficult to find him compelling. Even though his body language can be funny, it’s mostly up to the rest of the cast to deliver jokes -- which has mixed results.

It takes a while for the movie to get going, but once Kristen is in Italy, the humor starts to pick up. Collette has a good sense of comedic timing and the supporting characters do a good job of keeping the movie light and charming. The downside is the humor constantly clashes with the romantic elements, which feel like they were pulled out of a novel you’d find at the airport. 

This is a sketch show that serves as a follow-up to the movie of the same name that was released in 1981. It has a cast full of veteran comedians like Nick Kroll, Pamela Adlon, Wanda Sykes, and Jack Black. The whole series is a sequence of parodies that skip around different historical periods and events like the Civil War, the Bolshevik Revolution, and World War II. One of my favorites was the story of Jesus Christ, which was framed like an episode of “Curb Your Enthusiasm.”

Adult Swim released its version of a Christmas movie, and it is as weird as one would suspect from the channel that airs Rick and Morty, The Eric Andre Show, and Smiling Friends.  Directed by Casper Kelly, Adult Swim Yule Log (aka The Fireplace) follows a couple who travels to an Airbnb for the holidays, only to discover their cabin has been double-booked by a group of stoner friends. Forced to board together, the two parties uncover a dark and mysterious presence that abides within the cabin.

Despite a strong leading performance from Lea Thompson, who gives an emotionally compelling and often humorous performance, this film fails her by not giving her enough to do. The film works best when Thompson is on screen. Yet, the story insists on cutting back to the magician, thus grinding any form of positive momentum to a complete stop. His character does not have an arc, and the story’s attempts at philosophical musings fall flat.

For fans of the indie director, Clerks III is essential viewing, especially if you get the chance to see The Convenience Tour. Touring across 50 theaters in North America, Smith personally presents the movie and ends the show with an hour-long Q&A (though in typical Kevin Smith fashion, the Q&A went an hour overtime). His show is a love letter to the fans and offers great insight into the behind-the-scenes making of a movie.

The film begins with a young woman named Tess arriving at her Airbnb to find out that it’s already occupied by a man named Keith. She ends up agreeing, begrudgingly,  to stay in the house for the night and starts to hear strange noises. In the morning she discovers that the rest of the neighborhood is completely run down except for the house she’s staying in. The movie does a good job of building tension while keeping the viewer wondering in which direction things are going.

Everyone knows the filmmaking conventions that make a good heist movie: a mismatch of eccentric characters each with their own skill set, speeches about how the impossible task is actually possible, and the execution. Heist movies always feature the debonair hero, the hothead, the uneasy alliance, the romantic interest, and a villain. A heist film lives and dies on its storyteller’s ability to overcome the derivative and craft something exciting. John Barker’s The Umbrella Men represents the highs and lows of the genre.

The basic premise of the movie is that two friends are on a trip to the desert where they decide to eat a bunch of mushrooms that will hopefully take them on a spirit journey. Tip is there to get over a recent breakup, and his friend Brent is his self-appointed spiritual guide. While their friendship and interactions are the core of the film, they don’t have great chemistry together for comedy.