The shortsightedness of the filmmakers is on display in an unsettling way; they didn’t take into account two fundamental aspects of acting that make all the difference: eyes and physicality. Scorsese expressed concerns about how the de-aging affected the eyes of the performers earlier this year on A24’s “A Bigger Canvas” podcast, saying, “Certain shots need more work on the eyes.” But an even bigger problem is the fact that the actors, now in their mid-70s or older, don’t have the physicality of their younger selves.

Al Pacino plays a just released “gangster” who has all the exaggerated manners of Pacino, circa someone impersonating Pacino in Scent of Woman with a dash of Al Pacino from Heat. Christopher Walken plays Christopher Walken circa numerous Saturday Night Live appearances and one particular Fat Boy Slim video. For popcorn entertainment purposes this not a bad thing. Walken could read bird bath installation instructions on the big screen for two hours and elicit more than a few chuckles. The movie is at its best with Arkin serving as an emotional fulcrum and delivering dry one-liners to extinguish Pacino’s over-acting.