actresses

Lena Dunham, Amy Poehler and the Modern Feminist Discourse

Melinda Parks

And so it seems appropriate that Lena Dunham and Amy Poehler, influential female actors and writers in their respected realms of comedy, would choose this year to publish memoirs detailing their experiences as women in entertainment. Dunham’s Not That Kind of Girl: A Young Woman Tells You What She’s Learned, released in September, and Poehler’s Yes Please, published a month later, build on the now well-established trend of intimate autobiographies penned by female entertainers. In fact, in her preface, Poehler cites the memoirs of comedians like Tina Fey, Mindy Kaling, Sarah Silverman, and Rachel Dratch as inspiration for her own writing. 

The Legend of Lauren Bacall

Bill Trott

She appeared in more than 30 other movies, including "Young Man With a Horn" (1950), "How to Marry a Millionaire" (1953) and "Murder on the Orient Express" (1974). Still, Bacall's movie career was rocky. In such films as "Confidential Agent" (1945) and "Bright Leaf" (1950), she essentially played the same role as in "To Have and Have Not." A comic turn in "How to Marry a Millionaire" earned applause but few of her other films were memorable and she became the self-proclaimed "den mother" to her two children.

Manufacturing Identity: The Art Behind the Cult of Celebrity

Benjamin Wright

With the revolution in new technologies that was part of the larger revolution in industry more than just strong character and virtue was needed to be famous. In the age of television commercials, public relations and televised debates (as the Kennedy-Nixon debate amply demonstrated) it is questionable whether a man like George Washington could be elected president if he were to run for office today, when image has in so many ways supplanted substance. 

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