The TV show, titled “It’s OK, That’s Love,” stars Gong Hyo-jin, who plays Ji Hae-soo, a psychiatrist working in a hospital in Seoul. She meets a successful novelist struggling with Obsessive Compulsive Disorder and schizophrenia. What begins as a series of comedic encounters soon transforms into a budding romantic relationship between two individuals coming to grips with their own inner turmoil.

The surprise 2013 hit “The Conjuring” reminded moviegoers that exorcism movies are still exciting when filmmakers take the time to invest in characters and build suspense. Unfortunately, most of the genre’s entries do little more than rehash tired horror clichés. “Deliver Us From Evil” tries to set itself apart with an unusual protagonist: a real-life New York City Police sergeant turned demonologist. 

Algorithms, a documentary by Ian McDonald, takes a look at the relatively unknown world of blind chess players. Filmed over the course of four years, the documentary follows three talented children--Darpan, Sai Krishna and Anant—and one former champion player—Charudatta Jadhav—as they compete in chess tournaments and try to bring a champion title to India. The documentary opens in Mumbai at the National Team and Junior Blind Chess Championship in 2009, showing partially-blind and totally-blind people competing against each other. 

But the significance of Disney princesses extends far beyond their entertainment value. As stories created for children, and often intended to teach a lesson or impart specific morals, these films serve as mirrors that reflect our culture’s shifting values. Specifically, they demonstrate women’s perceived importance and purpose in society at specific periods in time. When analyzed parallel to the feminist movements of the 20^th and early 21^st centuries, they highlight intriguing – and sometimes disturbing – truths about the world in which we live. 

“Earth to Echo” is no science-fiction classic, but it serves a purpose for the right, niche audience. The film, directed by Dave Green, is an ode to childhood, and it’s told from the perspective of a young filmmaker named Tuck (Brian “Astro” Bradley) who is chronicling the days before he and his two best friends will be forced to separate. Viewers are supposed to believe the characters shot the film, so it fits into the burgeoning found-footage genre. 

In 2011, producer Bryan Singer and director Matthew Vaughn (“Kick-Ass”) reinvigorated the X-Men movie franchise by presenting a story from the early days of the franchise’s heroic characters. This necessitated younger versions of many key players, including Professor Charles Xavier and his archrival Magneto. With “Days of Future Past,” Singer takes over directing duties and performs a careful balancing act, mixing the cast of “First Class” with that of the first three “X-Men” films. 

Time travel movies are tricky, but director Doug Liman has delivered a science-fiction gem with “Edge of Tomorrow,” a fast-paced, action-heavy affair that plays like a mash up of “Groundhog Day” and “War of the Worlds.”  The picture is set in a near future where frightening, tentacular creatures have launched an all-out assault on Earth. Just when it looks like the alien beings are invincible, Sgt. Rita Vrataski (Emily Blunt) leads humanity to an impressive victory using a heavily armed exoskeleton.  

The film, Argentina’s selection for the foreign language category at this year’s Academy Awards, is chockfull of well-thought out Nazi symbolism and does a solid job conveying in a subtle way the unremitting perversions that were part and parcel of Mengele’s genetic experiments at Auschwitz. The actors all do a superb job of playing unsuspecting, knowing, or conniving, depending on their role in the film.

In recent years, Michael Bay has focused nearly all his directorial energy on the “Transformers” franchise, reinforcing his reputation as the go-to guy for effects-driven spectacles. Bay may not be Hollywood’s best storyteller, but he knows how to blow things up, and he has an uncanny knack for seamlessly blending practical footage with breathtaking digital imagery. These skills are put to good use in “Transformers: Age of Extinction,” the fourth film in a series that’s made oodles of money despite an astonishing lack of imagination. 

Imagine being able to see light waves bouncing off objects, microscopic creatures in pond water, or watching a nano-machine destroy a cancer cell as if you could see your own hand. What could you study and learn from that observation? That’s the focus of ‘Mysteries of the Unseen World,’ a new documentary short by National Geographic. Narrated by Forest Whitaker and clocking in around 40 minutes, ‘Mysteries’ is like a refresher science class, covering just enough information to educate viewers and pique their interest.