Nicholas Stoller’s work as a director has been on a steady decline since he helmed the surprising and wonderful 2008 comedy “Forgetting Sarah Marshall.” That film, written by star Jason Segel, was funny, original and anchored by great performances. For “Neighbors,” Stoller assembled another terrific cast, but the players are saddled with a schizophrenic screenplay that wants to be edgy yet refuses to take risks. 

Adapting a book to the screen is a dicey affair, and the task is particularly daunting with a bestseller like John Green’s 2012 novel, “The Fault in Our Stars.” Fortunately for fans, director Josh Boone skillfully dodges the pitfalls that have caused so many literary works to fail in theaters. Boone’s “Fault in Our Stars” is, like the book, a tearjerker, but it is also thoughtful, sweet and often funny. 

Harold Lloyd lacked the vaudeville training and natural comedy of Chaplin and Keaton, yet he could make us laugh as hard as we did when watching Chaplin, and could elicit as much sympathy and suspense as Keaton, but he had to work harder at being funny. And work he did, churning out more pictures over the course of his very prolific film career than Chaplin and Keaton combined.

“Captain America: The Winter Soldier” was the first of the four flicks to enter theaters, and it built high expectations with a smart script, strong acting and an abundance of beautifully executed action sequences. In short, the movie is a first-tier superhero picture that improves on the franchise’s already solid debut, “Captain America: The First Avenger.”  “The Winter Soldier” is set two years after events depicted in “The Avengers,” and Captain America, a.k.a. Steve Rogers (Chris Evans), is settling into life in the 21^st century. 

In a timely fashion, Life of Crime opens to pay homage to Elmore Leonard’s vast collection of crime fiction and the many adaptations they have spawned.  The film, which first screened at last year’s Toronto Film Festival days after Leonard’s death, relies on a fitting cast and a script that rarely deviates from Leonard’s original dialogue.  Perhaps the truest adaptation to one of the author’s novels, Life of Crime starts off sardonic but pleasing and gets you hooked right away.  But then it dozes off for most of its hour and half runtime before it wraps itself nicely with a bow on top. 

When Julia hit the airwaves in 1968, much was made of the choice for that sitcom's titular lead character, a pre-Dynasty Diannh Carroll portraying another small screen first, a Black woman in a non-servile position.   In contrast to the revolutionary tone of the raging ‘60s, Carroll's Julia was a suburban single mother, nurse and Vietnam War widow who provided lighthearted laughs for three seasons.  This precursor to The Cosby Show helped Carroll make history as the first Black actress to earn an Emmy nomination as a lead actress in a comedy series.   

When Hollywood filmmakers find a successful formula, they can be counted on to revisit it, and that assured us of another film teaming Adam Sandler with Drew Barrymore. Unfortunately, “Blended” isn’t nearly as charming as their earlier hits, “The Wedding Singer” (1998) and “50 First Dates” (2004). In “Blended,” Barrymore plays Lauren Reynolds, a working mother recovering from a bad marriage. Sandler plays Jim Friedman, a single dad who is yet to recover from the death of his wife. 

A recent study from the Annenberg School for Communication and Journalism of the University of Southern California gives cause for more than just pause. One of the findings in a study on race and ethnicity in 600 popular films conducted by Stacey Smith, Katherine Pieper and Mark Choueiti is that while Latinas were more likely to be featured in popular films than any other race or ethnicity, no other race/ethnicity is more sexualized.

When Steven starts to ask questions, the Jewish community is happy to reintroduce and integrate him. As his rabbi cousin explains Kabbalah, Steven states that while some people are introduced by rituals, his motivation is to learn his heritage without any guarantee as to what he will do with that new knowledge. In fact, at the beginning of the documentary, Steven seems to be going through the motions of the rituals, just for the sake of experiencing something new, perhaps as you would try a new ride at the amusement park. 

As Peter swims through personal problems, his city faces a series of new threats, the most serious being an attack by Electro (Jamie Foxx), a supervillain capable of absorbing electricity and using it as a weapon. “Spider-Man 2” deliver’s Electro’s backstory while laying the groundwork for the appearance of two more Spidey villans: the Green Goblin (Dane DeHaan) and the Rhino (Paul Giamatti).