Hiroshi Sugimoto: Seascapes brings together Sugimoto’s iconic seascapes, on loan from important collections and on view for the first time in Southampton since Time Exposed, his 1994-95 solo exhibition at the Parrish Art Museum. Among works on view are Mediterranean Sea, Crete (1990); Yellow Sea, Cheju (1992); Lake Superior, Cascade River (1995-2003); and Tyrrhenian Sea (1990).

If living the bohemian lifestyle is about creating, than it would be reductive to dismiss the crusty guy selling newspaper clip art outside of Prospect Park on principle. Dismiss him for making crappy art, sure. True, Hemingway and Baldwin probably benefited from the community of artists that they interacted with, but Emily Dickinson never left her room. Where you are might not hurt, but it might not help much either. What you do matters more. 

Seattle’s Mourning Market, a quarterly art show hosted in a city know for its rain and shadow, calls together those Pacific Northwestern artists who practice their own unique blend of the “dark arts.” Visitors to this experience could find one-of-a-kind pieces ranging from unseelie photography to vintage gothic posters and specially designed tarot card decks. With new artists joining the show every year, the variety of skill sets it brings together is both innovative and diverse.