Highbrow Magazine - sculpture https://www.highbrowmagazine.com/sculpture en The Frick Art Collection Finds a New Home https://www.highbrowmagazine.com/12588-frick-art-collection-finds-new-home <span class="submitted-by">Submitted by tara on Wed, 09/22/2021 - 15:58</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/3frick_duccio.jpg?itok=NgtJMkpX"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/3frick_duccio.jpg?itok=NgtJMkpX" width="480" height="451" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p><em><span style="font-size:14px"><span style="font-family:Calibri,Arial,Helvetica,sans-serif">Duccio di Buoninsegna (ca. 1255–ca. 1319), </span>The Temptation of Christ on the Mountain,<span style="font-family:Calibri,Arial,Helvetica,sans-serif"> 1308−11. Tempera on poplar panel. 17 x 18 1/8 inches. The Frick Collection, New York. Photo: Michael Bodycomb</span></span></em></p> <p> </p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">In March 2021, the world-famous Frick art collection took up residence at 945 Madison Avenue, in Marcel Breuer’s modernist architectural masterpiece (formerly the Whitney Museum of American Art.)  This was in direct response to the two-year renovation underway of Henry Clay Frick’s historic mansion at 72<sup>nd</sup> Street and Fifth. It may be no exaggeration for some to imagine Mr. Frick turning in his grave at such an upheaval.</span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">The good news is that the Frick Madison’s minimalist approach is providing fresh insight and perspective on an amazing repertoire. Beloved works from the Renaissance through the 19th century—Bellini, Rembrandt, Vermeer, Goya, Fragonard and Whistler, among many others—along with installations of important sculptures and decorative arts capture the eye, demanding to be noticed.</span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">Frick the industrialist (1849-1919) played a major role in the foundation of the U.S. Steel Corporation, building Carnegie Brothers &amp; Co. into the largest manufacturer of steel and coke in the world. Since the opening of the museum in 1935, its holdings have more than doubled in size. The Frick Reference Library founded by Frick’s daughter Helen is one of the foremost art history research centers, serving generations of students, scholars and the public.</span></span></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/4frick_veronese.jpg" style="height:600px; width:458px" typeof="foaf:Image" /></p> <div><span style="font-family:Times New Roman,Times,serif"><em><span style="font-size:14px">Paolo Veronese (Paolo Caliari) (1528 –1588), The Choice between Virtue and Vice, ca. 1565. Oil on canvas. 86 1/4 x 66 3/4 inches. The Frick Collection, New York. Photo: Michael Bodycomb</span></em></span></div> <p> </p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">Perhaps most satisfying about this temporary home is the anticipation of visitors young and old (who may have put a hold on a visit to the Frick’s imposing mansion on first investigation) gazing upon such masterworks for the first time.  </span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">Here are just a few examples of some of the breathtaking works currently on view at the Frick Madison:  </span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif"><em>The Temptation of Christ on the Mountain</em> by Duccio (1255-1319) is a powerful altarpiece from Sienna that was chosen as a favorite by Frick Director Ian Wardropper and certainly a prize acquisition.  Another masterwork of the Christ figure is <em>The Deposition</em> by Gerard David (1495-1500). Piero della Francesca’s <em>Saint John the Evangelist </em>(1454-69) seems to hover benignly over his backdrop of blue skies for those who must put their next trip to Florence on hold. </span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">For this reviewer, the dramatic intrigue of Veronese’s <em>The Choice between Virtue or Vice </em>(1565) is the big draw. Here, the furtive backward glance of the seducer, the suggestion of a forbidden tryst in all its daytime brilliance is undeniable.</span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">George de La Tour’s <em>The Education of the Virgin</em> (1650) with its shadowy chiaroscuro effects are as finished as any of Caravaggio’s best works, admittedly without the resident anguish of his subjects.   </span></span></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/2frick_ingres.jpg" style="height:600px; width:419px" typeof="foaf:Image" /></p> <p><em><span style="font-size:14px"><span style="font-family:Calibri,Arial,Helvetica,sans-serif">Jean -Auguste -Dominique Ingres (1780 – 1867), </span>Comtesse d’Haussonville<span style="font-family:Calibri,Arial,Helvetica,sans-serif">, 1845. Oil on canvas. 51 7/8 x 36 1/4 inches The Frick Collection, New York. Photo: Michael Bodycomb</span></span></em></p> <p> </p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">Portraiture was obviously an obsession of Frick’s and the examples on display are worth the visit. Ingres’ <em>Comtesse d’Haussonville</em> (1845) and her coy confrontation must have been a shocking revelation to more conventional portraitists of the age. Thomas Gainsborough gives us the remarkable subtlety at play in <em>Grace Dalrymple Elliott</em> from 1782, and Thomas Lawrence’s <em>Julia, Lady Peel </em>is the epitome of elegance with her crimson feathered headdress (1827). Only the later portrait from John Singer Sargent of <em>Adele</em> at the Neue Galerie could hold a candle to such imperiousness. <em>Lady Hamilton as “Nature”</em> (1782) with her pet spaniel is notable for the sheer unadulterated beauty from George Romney’s brush.  </span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">Male splendor is never better accentuated than in Joshua Reynold’s romantic rendition of <em>General John Burgoyne</em> from 1766. This swashbuckling, red-coated hero must have set hearts aflutter for many a decade. A soul brother might have been Titian’s subject in <em>Portrait of a Man in a Red Hat</em>. He poses with the diffidence of one who must have been frequently asked for a sitting. Rembrandt is present in his own forthright manner in his <em>Self-Portrait</em> from 1658.</span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">There are others that stand alone, as much for their singular style as subject. El Greco’s <em>St. Jerome</em> (1590-1600) will surely live on in many memories when his saint’s name itself fades from recall.  </span></span></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/5frick_reynolds.jpg" style="height:600px; width:479px" typeof="foaf:Image" /></p> <p><em><span style="font-size:14px"><span style="font-family:Calibri,Arial,Helvetica,sans-serif">Joshua Reynolds (1723–1792), </span>General John Burgoyne, <span style="font-family:Calibri,Arial,Helvetica,sans-serif">ca. 1766. Oil on canvas. 50 × 39 7/8 inches. </span><span style="font-family:Calibri,Arial,Helvetica,sans-serif">The Frick Collection, New York. Photo: Michael Bodycomb</span></span></em></p> <p> </p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">Domesticity and its charms are front and center in Vermeer’s <em>Officer and Laughing Girl.</em> And what exhibition collection would be complete without the requisite number of Joseph Mallard Waller Turners? <em>Fishing Boats Entering Calais Harbor</em> gives us the flailing grandeur we’ve come to expect from this master and this example from 1803 doesn’t disappoint.</span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">The Fricks had the Fragonard Room rebuilt in the early 20<sup>th</sup> century to complement the artist’s <em>Progress of Love</em> series. Jean-Honore Fragonard (1732-1806) was a prolific French painter of the late Rococo period who painted these works for the music pavilion on Madame du Barry’s property (du Barry was the last mistress of Louis XV). Visitors will now have the rare treat of enjoying the collection in its entirety, even if the former ambience is absent.</span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">Sculpture gets its rightful due and one can be forgiven for choosing the diminutive <em>Angel </em>(1475) from Jean Barbet over more conspicuous offerings. It beckons in its humble perfection, and I can only liken it to the lone statue of San Germaine des Pres in the historic Left Bank chapel. There’s a sanctity in the simplicity of depiction, no less obvious than in Francesco Laurana’s <em>Beatrice of Aragon </em>(1475). </span></span></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/6frick_joseph_coscia_jr.jpg" style="height:402px; width:600px" typeof="foaf:Image" /></p> <div><em><span style="font-family:Times New Roman,Times,serif"><span style="font-size:14px">Marcel Breuer building -- Photo: Joseph Coscia Jr.</span></span></em></div> <p> </p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">The ceramics section will find its fans, with an impressive collection of bottles and bowls from the Quing Dynasty (1644-1911).  An exquisite <em>Basin Sevres</em> from 1781 is also worth searching out as are the display of clocks. The French 18<sup>th</sup>-century <em>Annual Mantel Clock with Figures Emblematic of the Passing of Time </em>and the <em>Dance of Time: Three Nymphs</em> by Clodeon from 1788 will reward any intrepid clock enthusiasts. </span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif">And what about the return of the Frick collection to its original Beaux Art home in 2022?  Perhaps these masterpieces that could stun the visitor from an unadorned wall will retreat, back into the baronial splendor that Frick envisioned for them. One guesses they will not lose their majesty and provenance of place but assume their proper role—merely awaiting the discerning glance to assume their full glory once again.</span></span></p> <p> </p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif"><strong>Author Bio:</strong></span></span></p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif"><strong><em>Sandra Bertrand is </em>Highbrow Magazine’s <em>chief art critic.</em></strong></span></span></p> <p> </p> <p><span style="font-size:18px"><span style="font-family:Times New Roman,Times,serif"><strong>For Highbrow Magazine</strong></span></span></p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/frick-collection" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">the frick collection</a></div><div class="field-item odd" rel="dc:subject"><a href="/art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">art</a></div><div class="field-item even" rel="dc:subject"><a href="/new-york-galleries" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">new york galleries</a></div><div class="field-item odd" rel="dc:subject"><a href="/ingres" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">ingres</a></div><div class="field-item even" rel="dc:subject"><a href="/duccio" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">duccio</a></div><div class="field-item odd" rel="dc:subject"><a href="/veronese" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">veronese</a></div><div class="field-item even" rel="dc:subject"><a href="/reynolds" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">reynolds</a></div><div class="field-item odd" rel="dc:subject"><a href="/vermeer" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">vermeer</a></div><div class="field-item even" rel="dc:subject"><a href="/painters" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">painters</a></div><div class="field-item odd" rel="dc:subject"><a href="/sculpture" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">sculpture</a></div><div class="field-item even" rel="dc:subject"><a href="/art-collections" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">art collections</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Sandra Bertrand</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-photographer field-type-text field-label-above"><div class="field-label">Photographer:&nbsp;</div><div class="field-items"><div class="field-item even">All images courtesy of the Frick Collection</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Wed, 22 Sep 2021 19:58:04 +0000 tara 10639 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/12588-frick-art-collection-finds-new-home#comments Small Is the New Big at NAWA’s Latest Art Exhibit https://www.highbrowmagazine.com/10050-small-new-big-nawa-s-latest-art-exhibit <div class="field field-name-field-cat field-type-taxonomy-term-reference field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/photography-art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Photography &amp; Art</a></div></div></div><span class="submitted-by">Submitted by tara on Sun, 07/07/2019 - 19:12</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/little_red_teacup_by_any_leveille.jpg?itok=lZfYI6ZW"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/little_red_teacup_by_any_leveille.jpg?itok=lZfYI6ZW" width="334" height="334" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p> </p> <p>For the National Association of Women Artists (NAWA), the "Small Works" exhibitions held in the summer and winter have become a treasured tradition among members and nonmembers alike. </p> <p>From July 10-August 21, 2019, the works on display at the NAWA Gallery in Manhattan prove that the size of an artwork does not have to determine its excellence or worth.  With a close study, viewers will find remarkable detail and precision at play in several mediums.  They will also find a surprising seriousness and boldness of intent often reserved for larger works.</p> <p>The female form, so historically usurped as a subject by the male art establishment, is reinterpreted and in some instances reborn in this display. </p> <p>Kristina Kosse’s sculpture has the emotive power of a Valkyrie, riding the winds and daring us to follow.  A sleek standout in marble is Julie Conn’s <em>Repose</em>.  Her abstract female shape could easily compete alongside post-cubistic sculptures by Picasso and Fernando Botero.  Estelle Lippman’s bronze, <em>April</em> is a more traditional dance to spring, while Candace Lovely’s stylized painting of a modern-day aquatic Venus delights the eye as she seems to embrace the watery elements.</p> <p>Transformation is key in Lucinda Abra’s <em>Monarch</em> painting, her chrysalis bursting from a golden shell into a full-blown human queen, her dress a pastiche of wings. The exquisite interplay of green, pink, and yellow patterns swirling around the Black empress in Rhonda Urdang’s collage dazzle the viewer.  To the artist’s credit, this overlay of prints never overwhelms, but enhances her subject.</p> <p>The ability of a small artwork (maximum dimensions are 12” x 12”) to work to full effect, conveying its message through pure abstraction, is an arguable point.  Utilizing pastels, ink and graphite, Harriet Livathinos produces a filigree of spidery lines, so delicate her design could work beautifully on a surface no larger than a handkerchief.  Conversely, the contrasting strength of Katya Lebrija’s blue and tangerine shapes is evident and masterful, but the viewer can be excused for wanting a much larger canvas to bring this creation fully alive.</p> <p>There are works that stand alone in their ability to bring pleasure to the eye.  Little explanation is needed for Anya Leveille’s <em>Little Red Teacup</em>. It’s sheer perfection in every detail.  Amalia Brujis’ <em>Dancing Trees</em> have a muted beauty in their overall composition that suggests the best of Asian-inspired landscape art. For the love of a canine, Louise Durocher gives us her abstract sculpture of <em>Ginger </em>in perfect angularity.</p> <p>Celebrating 130 years of promoting awareness of, and interest in, the visual art of women in the United States, NAWA continues to support the best efforts from a membership comprised of over 800 members.  Many exhibits are planned for this year alone, and September’s Annual in New York City’s Tribeca locale that should draw much deserved attention to their talents.</p> <p>This arresting exhibition proves that Tiffany’s, with their signature little blue box, is not the only place where treasures on a small scale can be found.</p> <p> </p> <p><strong><em>(NAWA Gallery, 315 West 39 Street, Suite 508, New York, NY  10018, 212-675-1616)</em></strong></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/little_red_teacup_by_any_leveille.jpg" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/2nawasmallworks.jpeg" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/3nawasmallworks.jpeg" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/4nawasmallworks.jpeg" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/5nawasmallworks.jpeg" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/6nawasmallworks.jpeg" /></p> <p> </p> <p><strong>Author Bio:</strong></p> <p><strong><em>Sandra Bertrand is</em></strong><strong> Highbrow Magazine’s <em>chief art critic.</em></strong></p> <p> </p> <p><strong>For Highbrow Magazine</strong></p> <p> </p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/national-association-women-arts" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">National Association for Women in the Arts</a></div><div class="field-item odd" rel="dc:subject"><a href="/nawa" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">nawa</a></div><div class="field-item even" rel="dc:subject"><a href="/small-works-exhibit" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">small works exhibit</a></div><div class="field-item odd" rel="dc:subject"><a href="/paintings" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">paintings</a></div><div class="field-item even" rel="dc:subject"><a href="/sculpture" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">sculpture</a></div><div class="field-item odd" rel="dc:subject"><a href="/kristina-kosse" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Kristina Kosse</a></div><div class="field-item even" rel="dc:subject"><a href="/julie-conn" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Julie Conn</a></div><div class="field-item odd" rel="dc:subject"><a href="/estelle-lippman" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Estelle Lippman</a></div><div class="field-item even" rel="dc:subject"><a href="/lucinda-abra" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Lucinda Abra</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Sandra Bertrand</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-photographer field-type-text field-label-above"><div class="field-label">Photographer:&nbsp;</div><div class="field-items"><div class="field-item even">Courtesy of NAWA</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Sun, 07 Jul 2019 23:12:49 +0000 tara 8834 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/10050-small-new-big-nawa-s-latest-art-exhibit#comments Abstract, Figurative Artworks Explore ‘Super Bodies’ in New Exhibit https://www.highbrowmagazine.com/9388-abstract-figurative-artworks-explore-super-bodies-new-exhibit <div class="field field-name-field-cat field-type-taxonomy-term-reference field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/photography-art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Photography &amp; Art</a></div></div></div><span class="submitted-by">Submitted by tara on Sun, 09/30/2018 - 19:47</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/1superbodies.jpg?itok=O-XfOnQV"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/1superbodies.jpg?itok=O-XfOnQV" width="480" height="321" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p> </p> <p>The <strong>Anita Shapolsky Gallery</strong> is pleased to present a cross-cultural and trans-historical exploration of the body in art. <strong>“Super Bodies”</strong> moves beyond the typical focus on abstract expressionist paintings to exhibit art from a potpourri of artists, periods, countries, and media.</p> <p> </p> <p>Antiques from Japan, China, Burma, and Greece from Anita Shapolsky’s own collection are scattered throughout the exhibition to complement the modern and contemporary works, all exemplifying the ever-present drive to represent the body in both the abstract and the figurative.<br /> <br /> The instinctual drive to creatively capture the body in all its forms has existed for thousands of years. It is a drive that has rooted itself at the very core of humanity. From ancient Greek kouroi to contemporary portraiture, the human body has served as the artist’s most familiar yet most elusive subject. Even the midcentury abstract expressionists attempted to convey the complexities of thought and emotion – what makes humans <em>human</em> – using their own bodies as translators.</p> <p> </p> <p><strong>Anita Shapolsky Gallery</strong></p> <p><strong>AS Art Foundation</strong></p> <p><strong>152 East 65th Street</strong></p> <p><strong>New York</strong><strong>, NY 10065</strong></p> <p> </p> <p><strong><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/2superbodies.jpg" style="height:622px; width:625px" /></strong></p> <p> </p> <p><strong><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/3superbodies.jpg" style="height:625px; width:417px" /></strong></p> <p> </p> <p><strong><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/4superbodies.jpg" style="height:625px; width:407px" /></strong></p> <p> </p> <p><strong><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/5superbodies.jpg" style="height:625px; width:439px" /></strong></p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/anita-shapolsky-gallery" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">anita shapolsky gallery</a></div><div class="field-item odd" rel="dc:subject"><a href="/super-bodies-exhibit" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">super bodies exhibit</a></div><div class="field-item even" rel="dc:subject"><a href="/new-york-art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">new york art</a></div><div class="field-item odd" rel="dc:subject"><a href="/art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">art</a></div><div class="field-item even" rel="dc:subject"><a href="/painting" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">painting</a></div><div class="field-item odd" rel="dc:subject"><a href="/sculpture" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">sculpture</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">The Editors</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-photographer field-type-text field-label-above"><div class="field-label">Photographer:&nbsp;</div><div class="field-items"><div class="field-item even">Courtesy of Anita Shapolsky Gallery</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Sun, 30 Sep 2018 23:47:59 +0000 tara 8277 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/9388-abstract-figurative-artworks-explore-super-bodies-new-exhibit#comments