Highbrow Magazine - zac effron https://www.highbrowmagazine.com/zac-effron en ‘Neighbors,’ ‘The Rover’ Arrive on Home Video https://www.highbrowmagazine.com/4316-neighbors-rover-arrive-home-video <div class="field field-name-field-cat field-type-taxonomy-term-reference field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/film-tv" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Film &amp; TV</a></div></div></div><span class="submitted-by">Submitted by tara on Tue, 09/23/2014 - 10:17</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/neighbors.jpg?itok=mPoocfNH"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/neighbors.jpg?itok=mPoocfNH" width="480" height="249" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p> </p> <p>This week’s major home video releases include an apocalyptic drama from the director of “Animal Kingdom” and a broad comedy featuring Seth Rogen and Zac Efron. </p> <p> </p> <p> </p> <p><strong>Neighbors</strong></p> <p><strong>2½ stars (out of four)<br /> Rated R for pervasive language, strong crude and sexual content, graphic nudity, and drug use throughout<br /> Universal<br /> Available on: Blu-ray, DVD, digital download and on demand</strong></p> <p> </p> <p>Nicholas Stoller’s work as a director has been on a steady decline since he helmed the surprising and wonderful 2008 comedy “Forgetting Sarah Marshall.” That film, written by star Jason Segel, was funny, original and anchored by great performances.</p> <p> </p> <p>For “Neighbors,” Stoller assembled another terrific cast, but the players are saddled with a schizophrenic screenplay that wants to be edgy yet refuses to take risks. The movie is littered with nudity, sex gags and drug humor, all of which are hallmarks of Stoller’s previous films, including “Get Him to the Greek” and “The Five-Year Engagement.” Trouble is, “Neighbors” doesn’t use these elements to bolster its story; it relies on them.</p> <p> </p> <p>Stoller doesn’t deserve full blame because the Andrew J. Cohen and Brendan O’Brien screenplay was destined for failure. Behind the gratuitous swearing and nudity, “Neighbors” is a simple feud comedy, and the humor should come from watching the characters one-up each other. There’s some of this, but Cohen and O’Brien refuse to let things get truly nasty, and the result is a feud that feels halfhearted.</p> <p> </p> <p>Presumably, Cohen and O’Brien were afraid that an ugly showdown would lead viewers to dislike the players. That’s a danger, but there’s bigger trouble in focusing on characters so milquetoast that nobody cares.  </p> <p> </p> <p>“Neighbors” begins with Mac (Seth Rogen) and Kelly Radner (Rose Byrne) settling into a lovely suburban home that they recently purchased. Their infant daughter is forcing them into the lifestyle changes that every new parent faces and, although challenged, they are happy. Then, a college fraternity buys the house next door.</p> <p> </p> <p>Terrified that their lovely home is about to become party central, Mac and Kelly introduce themselves to the fraternity president, Teddy Sanders (Zac Efron). Despite a pleasant exchange, parties at the frat quickly get out of hand, forcing Mac and Kelly to declare war on their obnoxious next-door neighbors. The plot has potential and, had Stoller and company allowed the characters to fully engage one another, “Neighbors” might have become a rollicking affair. Instead, Mac’s and Kelly’s attempts to silence the fraternity are mostly half-hearted, and Teddy’s return volleys aren’t nearly as funny as one would hope.</p> <p> </p> <p>Stoller gets some mileage from the cast, particularly Rogen and Efron. Both actors are charismatic, and they play well off one another and the rest of the cast. Also, as weak as the Cohen/O’Brien screenplay is as a whole, it’s littered with funny exchanges. These bits aren’t consistent enough to make up for the shortfalls but they do prevent “Neighbors” from imploding. That leaves an intermittently funny movie that, like its characters, lacks passion and follow-through.</p> <p> </p> <p>Blu-ray and DVD extras include a gag reel and several behind-the-scenes features.</p> <p> </p> <p><br /> <img alt="" src="/sites/default/files/rover.jpg" style="height:511px; width:394px" /></p> <p> </p> <p><strong>The Rover</strong></p> <p><strong>2 stars<br /> Rated R for language and some bloody violence<br /> Lionsgate<br /> Available on: Blu-ray, DVD, digital download and on demand</strong></p> <p> </p> <p>Some post-apocalyptic movies speak to mankind’s unsinkable spirit and ability to milk good from even the worst situations. Others, like “The Rover,” are just plain bleak.</p> <p> </p> <p>One’s tolerance for co-writer and director David Michôd’s feature will have much to do with one’s tolerance for unabated pessimism. In the earliest frames of “The Rover,” a weary, desperate man named Eric (Guy Pearce) watches as his car is stolen by a group of thugs travelling through the Australian outback. Michôd, best known for his 2010 drama “Animal Kingdom,” doesn’t fully explain Eric’s situation, nor does he detail the economic collapse that turned Australia into a third-world country. Rather, he allows his characters to drag viewers through the arid landscape, painting a portrait of unflinching despair. </p> <p> </p> <p>From what viewers see, Eric’s car and dingy clothes are his only possessions. Stunned by the theft, he sets off in pursuit of his vehicle, determined to reclaim it by force. When, by chance, Eric meets the brother of one of the thieves (Robert Pattinson), his mission gains clarity, and he demands that the man sell his brother out.</p> <p> </p> <p>The plot is simple, and “The Rover” is mostly a character study. As Eric and his prisoner search for the car, they grow accustomed to one another, and their relationship shifts from captor-prisoner to something altogether different.</p> <p> </p> <p>Pearce won’t surprise anyone with his performance because he has been producing remarkable work for decades. Whether playing a by-the-book detective in “L.A. Confidential” or an aging business executive in “Prometheus,” he is great. What may shock viewers is that Pattinson is every bit as strong.</p> <p> </p> <p>The young actor has always been good, but he is plagued by stereotypes derived from his highest-profile project - the “Twilight” series. That franchise – although popular – saddled him with an unexpressive co-star, weak scripts and a boy-toy reputation. When asked to do more serious work, as in the dramas “Remember Me” and “Water for Elephants,” Pattinson delivers. </p> <p> </p> <p>Still, “The Rover” is difficult to watch. Michôd infuses the film with an unpalatable sense of hopelessness. As an artist, he is welcome to whatever viewpoint he likes, but it’s hard to recommend a project that spends the entirety of its 102-minute run plumbing the darkest depths of the human psyche.</p> <p> </p> <p>Blu-ray and DVD extras include a making-of feature.</p> <p> </p> <p><br /> <img alt="" src="/sites/default/files/brooklyn99.jpg" style="height:350px; width:630px" /></p> <p> </p> <p><strong>ALSO OUT THIS WEEK</strong></p> <p> </p> <p><strong>“Brooklyn Nine-Nine” – Season One:</strong> First 22 episodes of the Fox comedy focused on New York City Police officers working in a fictional Brooklyn precinct. Andy Samberg, Stephanie Beatriz, Terry Crews, Dirk Blocker and Andre Braugher star.</p> <p> </p> <p><strong>“The Signal”:</strong> Science-fiction thriller starring Brenton Thwaites, Olivia Cooke and Beau Knapp as friends who get drawn into a terrifying situation by a computer hacker. Laurence Fishburne also stars. Co-written and directed by William Eubank.</p> <p> </p> <p><strong>“The 100” – The Complete First Season: </strong>Based on the like-titled novel by Kass Morgan, this science-fiction drama focuses on a group of juvenile prisoners who are sent to Earth’s surface to see if the fallout from a nuclear war has subsided. Eliza Taylor, Bob Morley, Marie Avgeropoulos, Thomas McDonell and Paige Turco star.</p> <p> </p> <p><strong>“Reign” – The Complete First Season:</strong> The CW’s drama based on the life of Mary, Queen of Scotts (Adelaide Kane), isn’t heralded for historical accuracy, but it drew enough viewers to merit a second season. It also won a People’s Choice Award for Favorite New TV drama.</p> <p> </p> <p><strong>“How I Met Your Mother” – The Complete Series:</strong> Every episode of the long-running CBS sitcom about a group of young friends living and working in New York City. Josh Radnor, Jason Segel, Cobie Smulders, Neil Patrick Harris and Alyson Hannigan star. For folks who already own the first eight seasons, a standalone, ninth-season is also available.</p> <p> </p> <p><strong>“Scandal” – The Complete Third Season:</strong> Eighteen episodes of the ABC drama focused on a professional crisis manager (Kerry Washington) and her efforts to protect the images of high-profile politicians. </p> <p> </p> <p><strong>“The Tragedy of Macbeth”:</strong> Digital restoration of director Roman Polanski’s 1971 film adaptation of the William Shakespeare tragedy. Jon Finch and Francesca Annis star.</p> <p> </p> <p><strong>“The Innocents”:</strong> Criterion Collection release of director Jack Clayton’s 1961 thriller about a governess (Deborah Kerr) convinced that the children in her charge are possessed. The screenplay was co-written by Truman Capote and William Archibald.</p> <p> </p> <p><strong>“Halloween” – The Complete Collection:</strong> Anchor Bay and Scream Factory team up for a boxed set including all 10 movies in the “Halloween” horror franchise. The massive set also features copious extras, including special cuts of two films.    </p> <p> </p> <p><strong>“Wer”:</strong> “The Devil Inside” director William Brent Bell presents the story of a defense attorney (A.J. Cook) who believes the man she’s defending (Brian Scott O’Connor) may be a werewolf.</p> <p> </p> <p> </p> <p><strong>Author Bio:</strong></p> <p><strong><em>Forrest Hartman, a contributing writer at</em></strong> <strong>Highbrow Magazine<em>, is an independent film critic whose byline has appeared in some of the nation's largest publications. For more of his work visit <a href="http://www.ForrestHartman.com">www.ForrestHartman.com</a>. </em></strong></p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/neighbors" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">neighbors</a></div><div class="field-item odd" rel="dc:subject"><a href="/zac-effron" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">zac effron</a></div><div class="field-item even" rel="dc:subject"><a href="/rover" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">the rover</a></div><div class="field-item odd" rel="dc:subject"><a href="/guy-pearce" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">guy pearce</a></div><div class="field-item even" rel="dc:subject"><a href="/new-dvd-0" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">new on dvd</a></div><div class="field-item odd" rel="dc:subject"><a href="/films" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">films</a></div><div class="field-item even" rel="dc:subject"><a href="/new-dvds" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">new dvds</a></div><div class="field-item odd" rel="dc:subject"><a href="/brooklyn-nine-nine" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">brooklyn nine nine</a></div><div class="field-item even" rel="dc:subject"><a href="/how-i-met-your-mother" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">how i met your mother</a></div><div class="field-item odd" rel="dc:subject"><a href="/neil-patrick-harris" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">neil patrick harris</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Forrest Hartman</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Tue, 23 Sep 2014 14:17:54 +0000 tara 5224 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/4316-neighbors-rover-arrive-home-video#comments ‘Her,’ ‘I, Frankenstein’ Arrive on Home Video https://www.highbrowmagazine.com/3977-her-i-frankenstein-arrive-home-video <div class="field field-name-field-cat field-type-taxonomy-term-reference field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/film-tv" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Film &amp; TV</a></div></div></div><span class="submitted-by">Submitted by tara on Tue, 05/13/2014 - 09:16</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/2her.jpg?itok=hwP7eOpP"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/2her.jpg?itok=hwP7eOpP" width="480" height="337" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p> </p> <p>This week’s home video releases offer a new take on Frankenstein’s monster, a sex comedy featuring several young stars, and an offbeat dramedy about romance and technology. </p> <p> </p> <p> </p> <p><strong>Her</strong></p> <p><strong>3 stars (out of four)<br /> Rated R for language, sexual content and brief graphic nudity<br /> Warner Brothers<br /> Available on: Blu-ray, DVD, digital download and on demand </strong></p> <p> </p> <p>Movie lovers can count on writer-director Spike Jonze to tackle fascinating projects that live outside the mainstream, but his films often meander. These competing tendencies make him one of the most exciting – and frustrating – filmmakers working today, and he displays both his gifts and limitations in “Her.”</p> <p> </p> <p>The movie is, in many ways, a work of creative genius, delivering insights on topics ranging from romantic relationships to the failures of modern technology. It is also a cyclic piece that beats its premise into viewer’s heads, tediously repeating simplistic concepts long after they’ve been established.</p> <p> </p> <p>The plot centers on Theodore (Joaquin Phoenix), a lonely writer living in a near-future version of Los Angeles. Technology has continued to advance, making computers an even deeper part of our existence, but the world of “Her” is not considerably different than our own. Theodore makes his living composing letters for people who are too lazy – or too afraid – to write them on their own, and his career path tells us much about the film’s destination.  </p> <p> </p> <p>Theodore’s letters are sweet, sentimental and beautifully crafted, a fact that his co-worker Paul (Chris Pratt) often reminds him of. Alas, Theodore walks through life wistfully, irreparably damaged by the collapse of his marriage. He attempts to break from the sadness with phone sex and the occasional blind date, but he is left unfulfilled.</p> <p> </p> <p>It is technology that eventually turns Theodore’s life around. Software developers launch a new computer operating system that promises artificial intelligence, and Theodore is one of the first consumers. He is unsure what to expect and, thus, astounded when the system lives up to its advertising. Within minutes, Theodore is talking to an operating system named Samantha, and she possesses the same curiosities and emotions as a human being. She even expresses longing for a physical form. Samantha also has advantages over humans. She can read lengthy books instantaneously and make complex computations without effort. These things amaze Theodore, and it’s not long before he and Samantha fall in love.</p> <p> </p> <p>Samantha is never seen, but Scarlett Johansson provides her voice in an astounding performance. In fact, Johansson’s voice work is so good that an Oscar nomination would have been reasonable. Samantha’s hopes, fears and emotions are always clear, even when her words leave room for interpretation.  </p> <p> </p> <p>Phoenix, who has the advantage of acting with his entire body, is also fantastic, and the two actors build a surprisingly tender and convincing relationship. That seems to be the point of Jonze’s film. Society has reached a place where technology is so intertwined with human life that many of us have surprisingly intimate relationships with machines. And those machines regularly distract us from human interaction.</p> <p> </p> <p>“Her” is not as judgmental as one might expect, but it has a distinct point of view, and Jonze makes that clear. In fact, as noted earlier, his approach to the material is somewhat longwinded and heavy handed. Had he trimmed 20 minutes from the film, it would have been brilliant. Instead, it’s merely great.   </p> <p> </p> <p>Blu-ray and DVD extras include a behind-the-scenes feature.</p> <p> </p> <p><img alt="" src="/sites/default/files/thatawkwardmoment.jpg" style="height:417px; width:625px" /></p> <p> </p> <p><strong>That Awkward Moment</strong></p> <p><strong>2½ stars<br /> Rated R for sexual content and language throughout<br /> Sony<br /> Available on: Blu-ray, DVD, digital download and on demand</strong></p> <p> </p> <p>With “That Awkward Moment,” Zac Efron continues his transition from teen heartthrob to full-fledged leading man, and the results are mixed. Efron himself is a winner, and there is little to dislike in his portrayal of Jason, a 20-something New Yorker who is a hit with the ladies. Unfortunately, “That Awkward Moment” is a tired relationship comedy that walks an already well-worn path.</p> <p> </p> <p>The plot involves Jason and his two best pals, Daniel (Miles Teller) and Mikey (Michael B. Jordan). Mikey, a doctor, is the most sensitive of the three, and he is devastated when he learns that his wife (Jessica Lucas) is having an affair. In hopes of cheering Mikey up, Jason and Daniel introduce him to their womanizing ways, and all three men vow to remain single.</p> <p> </p> <p>Soon, the strength of their pledge is put to the test. For Jason, the trouble starts with a sharp-witted writer named Elie (Imogen Poots). Although Jason first sees Elie as another quick hookup, he soon realizes she has more sparkle than his average girl. In the meantime, Daniel discovers that his longtime friend Chelsea (Mackenzie Davis) is a lot more than a friend. As the men explore their new relationships, they struggle to maintain their freewheeling ways, and it becomes clear that they can’t have the best of both worlds.   </p> <p> </p> <p>Like Efron, Teller and Jordan are terrific, and the three male leads have a nice chemistry. The women in the cast are also good, and writer-director Tom Gormican does a reasonable job with pacing.</p> <p> </p> <p>The most awkward thing about “That Awkward Moment” is Gormican’s script. There is nothing fresh or exciting about it. Relationship dramas are a staple of cinema, and the best entries force viewers to think about love and romance in different ways. “That Awkward Moment” is nothing but a tired, old tale acted out by a few fresh faces.  </p> <p> </p> <p>Blu-ray and DVD extras include several behind-the-scenes featurettes.</p> <p> </p> <p><img alt="" src="/sites/default/files/ifrankenstein.jpg" style="height:391px; width:625px" /></p> <p> </p> <p><strong>I, Frankenstein</strong></p> <p><strong>3 stars<br /> Rated PG-13 for sequences of intense fantasy action and violence throughout<br /> Lionsgate<br /> Available on: Blu-ray 3D, Blu-ray, DVD, digital download and on demand</strong></p> <p> </p> <p>The idea of turning Frankenstein’s monster into an action hero seems ridiculous, but there’s something joyful about writer-director Stuart Beattie’s “I, Frankenstein.” Based on the graphic novel by Kevin Grevioux, the movie paints the title character as less monstrous than normal, and it doesn’t hurt that Aaron Eckhart, a square-jawed leading man, holds the title role.</p> <p> </p> <p>This take on the Frankenstein myth is set directly after the events in Mary Shelley’s “Frankenstein.” The story begins as the monster is attacked by demons, and he survives only through the efforts of two powerful, winged warriors with the ability to transform into stone gargoyles. The monster – with viewers – learns that demons and gargoyles have been enemies for centuries, the latter protecting mankind from evil. The gargoyle queen (Miranda Otto) decides to name the monster Adam, and she encourages him to use his superhuman strength to join her struggle. Alas, he refuses.</p> <p> </p> <p>The next time we see Adam, centuries have passed. Because his reanimated body is ageless, he has fine-tuned his demon-killing abilities, but he dispatches them only for his protection. When he again encounters the gargoyles, Adam learns that the demons have a special interest in him, and this places him at the heart of the struggle between good and evil.   </p> <p> </p> <p>“I, Frankenstein” is one part horror flick and two parts action movie, with much of the screen time devoted to impressive, well-choreographed battle sequences. Beattie does a wonderful job with the visuals, and the movie looks particularly good in 3D, despite the fact that it was originally shot in 2D. Granted, only a handful of people are set up for 3D at home, but those who have the gear should put it to work.</p> <p> </p> <p>There is nothing unusual in the plotting, and movies about the supernatural are ever-present. That may be why “I, Frankenstein” received generally bad notices when released into theaters. For what it’s worth, much of the grousing seems undeserved.</p> <p> </p> <p>“I, Frankenstein” is exactly what its name implies: a big, broad, over-the-top action film that is unapologetic in its attempts to entertain. Because of that, it largely succeeds.</p> <p> </p> <p>Blu-ray and DVD extras include two making-of featurettes and two audio commentaries.</p> <p> </p> <p><img alt="" src="/sites/default/files/eastbounddown.jpg" style="height:311px; width:625px" /></p> <p> </p> <p><strong>ALSO OUT THIS WEEK</strong></p> <p> </p> <p><strong>“Eastbound &amp; Down” – The Complete Fourth Season:</strong> Final eight episodes of the HBO comedy about a former professional baseball player (Danny McBride) settling into a normal, small-town life.</p> <p> </p> <p> </p> <p><strong>“Overlord”:</strong> Director Scott Cooper’s 1975 drama about World War II receives a deluxe release from the Criterion Collection. The movie centers on a 21-year-old man and his journey from basic training to the front lines of D-Day. The movie features a restored, high-definition film transfer that was supervised by Cooper.</p> <p> </p> <p> </p> <p><strong>Perry Mason Movie Collection – Volume 2:</strong> After a successful 1950s and ’60s TV run, producers revived the Perry Mason franchise with a series of television movies. This set includes six of them: “The Case of the Scandalous Scoundrel”; “The Case of the Avenging Ace”; “The Case of the Lady in the Lake”; “The Case of the Lethal Lesson”; “The Case of the Musical Murder”; and “The Case of the All-Star Assassin.”</p> <p> </p> <p><strong>“Deadly Code”:</strong> Drama starring John Malkovich as the banished leader of a Siberian criminal organization. While living in exile, he teaches his grandson about the “criminal code.” Directed by Gabriele Salvatores.  </p> <p> </p> <p><strong>“Wolverine Weapon X – Tomorrow Dies Today”:</strong> Motion comic centered on Marvel’s popular Wolverine character. In this adventure, Wolverine must steel himself for battle as robots from the future wage war against superheroes.  </p> <p> </p> <p><strong>Author Bio:</strong></p> <p><em>Forrest Hartman, a contributing writer at</em> Highbrow Magazine,  <em>is an independent film critic whose byline has appeared in some of the nation's largest publications. For more of his work visit <a href="http://www.ForrestHartman.com">www.ForrestHartman.com</a>. </em></p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/her" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">her</a></div><div class="field-item odd" rel="dc:subject"><a href="/spike-jonze" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">spike jonze</a></div><div class="field-item even" rel="dc:subject"><a href="/awkward-moment" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">that awkward moment</a></div><div class="field-item odd" rel="dc:subject"><a href="/zac-effron" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">zac effron</a></div><div class="field-item even" rel="dc:subject"><a href="/i-frankenstein" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">i frankenstein</a></div><div class="field-item odd" rel="dc:subject"><a href="/aaron-eckhart" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">aaron eckhart</a></div><div class="field-item even" rel="dc:subject"><a href="/eastbound-and-down" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">eastbound and down</a></div><div class="field-item odd" rel="dc:subject"><a href="/film" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">film</a></div><div class="field-item even" rel="dc:subject"><a href="/dvds" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">DVDs</a></div><div class="field-item odd" rel="dc:subject"><a href="/movies" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Movies</a></div><div class="field-item even" rel="dc:subject"><a href="/hollywood" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Hollywood</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Forrest Hartman</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Tue, 13 May 2014 13:16:15 +0000 tara 4703 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/3977-her-i-frankenstein-arrive-home-video#comments