Highbrow Magazine - american photographers https://www.highbrowmagazine.com/american-photographers en Photographer Erik Madigan Heck Turns His Focus Inward in Intimate New Series https://www.highbrowmagazine.com/11076-photographer-erik-madigan-heck-turns-his-focus-inward-intimate-new-series <div class="field field-name-field-cat field-type-taxonomy-term-reference field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/photography-art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Photography &amp; Art</a></div></div></div><span class="submitted-by">Submitted by tara on Thu, 12/03/2020 - 09:57</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/1erikmadigan.jpg?itok=AWVXJr7a"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/1erikmadigan.jpg?itok=AWVXJr7a" width="480" height="322" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p> </p> <p>Jackson Fine Art is currently featuring an exhibition of new works by Erik Madigan Heck from his new series and accompanying monograph<em>, The Garden</em>.</p> <p>This is the gallery’s second solo exhibition of Heck’s painterly large-scale photographs, following 2018’s <em>Old Future</em>.</p> <p>For <em>The Garden</em>, Heck’s focus turns inward, photographing his family and studies of the idyllic landscape surrounding their home.</p> <p>Composed over a five-year period, the series explores the birth of the photographer’s two sons and the passing of his beloved mother, juxtaposing these hyperpersonal works with more purely aesthetic pursuits -- explosions of vibrant color and re-imaginings of classical landscapes.</p> <p><strong><em>For more information about the exhibit, visit </em></strong><a href="https://www.jacksonfineart.com/" style="color:#0563c1; text-decoration:underline"><strong><em>Jackson Fine Art</em></strong></a><strong><em>.</em></strong></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/2erikmadigan.jpg" style="height:400px; width:600px" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/3erikmadigan.jpg" style="height:400px; width:600px" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/4erikmadigan.jpg" style="height:400px; width:600px" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/5erikmadigan.jpg" style="height:405px; width:600px" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/6erikmadigan.jpg" style="height:600px; width:442px" /></p> <p> </p> <p><strong>Highbrow Magazine</strong></p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/erik-madigan-heck" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Erik Madigan Heck</a></div><div class="field-item odd" rel="dc:subject"><a href="/jackson-fine-art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">jackson fine art</a></div><div class="field-item even" rel="dc:subject"><a href="/garden" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">The Garden</a></div><div class="field-item odd" rel="dc:subject"><a href="/photography" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">photography</a></div><div class="field-item even" rel="dc:subject"><a href="/american-photographers" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">american photographers</a></div><div class="field-item odd" rel="dc:subject"><a href="/photo-exhibits" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">photo exhibits</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">The Editors</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-photographer field-type-text field-label-above"><div class="field-label">Photographer:&nbsp;</div><div class="field-items"><div class="field-item even">All images courtesy of Erik Madigan Heck and Jackson Fine Art</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Thu, 03 Dec 2020 14:57:05 +0000 tara 10023 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/11076-photographer-erik-madigan-heck-turns-his-focus-inward-intimate-new-series#comments A Photographer Explores Facets of American Identity https://www.highbrowmagazine.com/11053-photographer-explores-facets-american-identity <div class="field field-name-field-cat field-type-taxonomy-term-reference field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/photography-art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Photography &amp; Art</a></div></div></div><span class="submitted-by">Submitted by tara on Tue, 11/24/2020 - 11:20</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/1stephenmarc.jpg?itok=HZeKtgad"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/1stephenmarc.jpg?itok=HZeKtgad" width="320" height="480" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p> </p> <p>The recently published book<em> American / True Colors</em> (GTF Publishing) is an exploration—from coast to coast—of who we are as Americans. Photographer Stephen Marc captures American identity and sense of place -- from the perspective of a baby-boomer African-American documentary/ street photographer.</p> <p> </p> <p>Marc shows the rich gestures of a new American culture that are performed, displayed, and exchanged every day, representing hot issues such as immigration, gender identity, civil and women’s rights, cultural diversity, patriotism, community and police violence, sports and play, and popular culture.</p> <p> </p> <p>As the United States becomes more demographically and culturally diverse, Americans simultaneously celebrate and are haunted by the nation’s past. This is a critical period of social-media distractions and political divisions reminiscent of the turbulent 1950s and 1960s, and Marc’s photos straddle the presidencies of Barrack Obama and Donald Trump.</p> <p> </p> <p>It has been decades since photographers Walker Evans, Robert Frank, Henri Cartier-Bresson, Garry Winogrand, and others embarked on trips to depict a nation undergoing great change.  <em>American / True Colors</em> presents a similar journey: It is at once an homage, update, critical response, and expanded vision of those earlier pioneering projects. By comparison, as an African-American man, Marc’s perspective and relationship to the nation’s fabric is very different; his photos show how there has been a major shift in how Americans both acknowledge and refute, embrace and reject the emerging diversity. As Marc suggests, America may not have reached the “post-racial era” that many people have hoped for, as the nation navigates the conundrums of coexistence.</p> <p> </p> <p>Stephen Marc is a documentary/street photographer and digital montage artist, who was raised on the South Side of Chicago. He is Professor of Art at Arizona State University, where he began teaching in 1998, after 20 years on the faculty of the Department of Photography at Columbia College Chicago. Marc has received grants from the Arizona Commission on the Arts and the National Endowment for the Arts, and his awards include the Society for Photographic Education’s Insight Award. Marc has published three photography books: <em>Passage on the Underground Railroad</em> (University Press of Mississippi, 2009), <em>The Black Trans-Atlantic Experience: Street Life and Culture in Ghana, Jamaica, England, and the United States</em> (Columbia College Chicago, 1992), and <em>Urban Notions</em> (Ataraxia Press, 1983).</p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/2stephenmarc.jpg" style="height:400px; width:600px" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/3stephenmarc.jpg" style="height:400px; width:600px" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/4stephenmarc.jpg" style="height:400px; width:600px" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/5stephenmarc.jpg" style="height:600px; width:400px" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/6stephenmarc.jpg" style="height:400px; width:600px" /></p> <p> </p> <p><img alt="" src="https://www.highbrowmagazine.com/sites/default/files/7stephenmarc.jpg" style="height:600px; width:400px" /></p> <p> </p> <p><strong>Highbrow Magazine</strong></p> <p> </p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/stephen-marc" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Stephen Marc</a></div><div class="field-item odd" rel="dc:subject"><a href="/americantrue-colors" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">American/True Colors</a></div><div class="field-item even" rel="dc:subject"><a href="/photography" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">photography</a></div><div class="field-item odd" rel="dc:subject"><a href="/street-photography" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">street photography</a></div><div class="field-item even" rel="dc:subject"><a href="/american-photographers" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">american photographers</a></div><div class="field-item odd" rel="dc:subject"><a href="/new-photography-books" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">new photography books</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Stephen Marc</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-photographer field-type-text field-label-above"><div class="field-label">Photographer:&nbsp;</div><div class="field-items"><div class="field-item even">All photos courtesy of Stephen Marc</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Tue, 24 Nov 2020 16:20:26 +0000 tara 10001 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/11053-photographer-explores-facets-american-identity#comments Profiles: A Photo Essay https://www.highbrowmagazine.com/3341-profiles-photo-essay <div class="field field-name-field-cat field-type-taxonomy-term-reference field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/photography-art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Photography &amp; Art</a></div></div></div><span class="submitted-by">Submitted by tara on Tue, 12/10/2013 - 10:25</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/1rhodes.jpg?itok=1vw020eU"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/1rhodes.jpg?itok=1vw020eU" width="428" height="480" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p> </p> <p>I’m as interested in the process of photographing people as much as I am in the final product. The act of creating portraits is a collaboration between the photographer and the subject. This relationship provides a certain feedback that’s not present when photographing, say, a building or still life. That’s what draws me to people—the energy exchange and the nuances of that relationship. But it’s even more complicated than that, in addition to the back and forth that happens between the photographer and his or her subject, the camera becomes part of that affiliation and creates another layer of complexity.  It, literally and figuratively, comes between the subject and the photographer. While I look through the lens, my subjects look at the lens. Then, in a 1/250th of a second, I’m able to stop time and capture what would otherwise be just a fleeting moment.</p> <p> </p> <p>These photographs are either the product of longer relationships—where I’d either known my subjects for extended periods or spent hours with them during the photo-making process—or shorter affiliations where I had a minute or two to capture a moment in a stranger’s day. In both cases I tried to create what I hoped to be some sort of visual narrative.</p> <p> </p> <p><em>Anthony Rhoades is a Brooklyn, NY photographer who was born and raised in and around Portland, OR. He splits his time between editorial and commercial assignments for a variety of clients. For more of his work, visit: </em><em><a href="http://anthonyrhoades.com">http://anthonyrhoades.com</a></em></p> <p> </p> <p><em><img alt="" src="/sites/default/files/2rhodes.jpg" style="height:650px; width:511px" /></em></p> <p> </p> <p><img alt="" src="/sites/default/files/3rhodes.jpg" style="height:517px; width:650px" /></p> <p> </p> <p><img alt="" src="/sites/default/files/4rhodes.jpg" style="height:650px; width:433px" /></p> <p> </p> <p><img alt="" src="/sites/default/files/5rhodes.jpg" style="height:433px; width:650px" /></p> <p> </p> <p><img alt="" src="/sites/default/files/6rhodes.jpg" style="height:650px; width:460px" /></p> <p> </p> <p><img alt="" src="/sites/default/files/7rhodes.jpg" style="height:433px; width:650px" /></p> <p> </p> <p><img alt="" src="/sites/default/files/8rhodes.jpg" style="height:515px; width:650px" /></p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/anthony-rhoades" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">anthony rhoades</a></div><div class="field-item odd" rel="dc:subject"><a href="/photographs" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">photographs</a></div><div class="field-item even" rel="dc:subject"><a href="/photography" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">photography</a></div><div class="field-item odd" rel="dc:subject"><a href="/art" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">art</a></div><div class="field-item even" rel="dc:subject"><a href="/american-photographers" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">american photographers</a></div><div class="field-item odd" rel="dc:subject"><a href="/taxonomy/term/5476" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">profiles</a></div><div class="field-item even" rel="dc:subject"><a href="/photos-people" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">photos of people</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Anthony Rhoades</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-photographer field-type-text field-label-above"><div class="field-label">Photographer:&nbsp;</div><div class="field-items"><div class="field-item even">Anthony Rhoades</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Tue, 10 Dec 2013 15:25:52 +0000 tara 3929 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/3341-profiles-photo-essay#comments