Highbrow Magazine - Tilda Swinton https://www.highbrowmagazine.com/tilda-swinton en ‘Amazing Spider-Man 2,’ ‘Only Lovers Left Alive’ Arrive on Home Video https://www.highbrowmagazine.com/4228-amazing-spider-man-only-lovers-left-alive-arrive-home-video <div class="field field-name-field-cat field-type-taxonomy-term-reference field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/film-tv" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Film &amp; TV</a></div></div></div><span class="submitted-by">Submitted by tara on Tue, 08/19/2014 - 10:42</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/spiderman.jpg?itok=lwtQPPcl"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/spiderman.jpg?itok=lwtQPPcl" width="480" height="240" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p> </p> <p>This week’s home video releases include two small horror films, but the main attraction is a big-budget superhero sequel.</p> <p> </p> <p> </p> <p><strong>The Amazing Spider-Man 2</strong></p> <p><strong>3 stars (out of four)<br /> Rated PG-13 for sequences of sci-fi action/violence<br /> Sony<br /> Available on: Blu-ray, Blu-ray 3D, DVD, digital download and on demand </strong></p> <p> </p> <p>In this second installment of director Marc Webb’s Spider-Man reboot, Peter Parker (Andrew Garfield) is struggling with a promise he made to Capt. George Stacy in the original film. Realizing that Spider-Man (Peter’s crime-fighting alter ego) would draw dangerous enemies, a fatally wounded Capt. Stacy begged the young hero to steer clear of his daughter, Gwen (Emma Stone). Peter agreed, but he and Gwen are desperately in love, and their separation leaves him torn and depressed.</p> <p> </p> <p>As Peter swims through personal problems, his city faces a series of new threats, the most serious being an attack by Electro (Jamie Foxx), a supervillain capable of absorbing electricity and using it as a weapon. “Spider-Man 2” deliver’s Electro’s backstory while laying the groundwork for the appearance of two more Spidey villans: the Green Goblin (Dane DeHaan) and the Rhino (Paul Giamatti).</p> <p> </p> <p>This new Spider-Man franchise is interesting because Webb seems determined to make it more comic-book-like than Sam Raimi’s 2002-2007 movies. Fans of the genre may enjoy this approach, but there are pitfalls. Rushed emotional transitions and oversimplified character motivations are plentiful in all but the best graphic novels, and “Spider-Man 2” is written in a similar manner. Because the movie is attempting to balance Peter’s and Gwen’s personal struggles with the emergence of three new villains, Webb is forced to use shorthand, and this makes the film less emotionally engaging than it should be.</p> <p> </p> <p>Fortunately, Webb’s flair for visual storytelling coupled with terrific performances from all actors largely mitigates the flaws. Spidey has never looked better in action, and as good as Tobey Maguire was in Raimi’s movies, Andrew Garfield seems better suited to the role of Peter Parker. Stone is winning in every movie she appears in, and she and Garfield have terrific chemistry. In fact, that chemistry helps make up for the missing screen time that should have been devoted to Peter’s and Gwen’s romance.   </p> <p> </p> <p>“The Amazing Spider-Man 2” is by no means a perfect superhero movie. In fact, it feels flat when compared to greats, like Christopher Nolan’s Batman films. Nevertheless, there is a place for a movie like “The Amazing Spider-Man 2.” Despite the problems, it’s bright, adventurous, and consistently fun. In other words, it is a live-action comic book, and it arrives with all the pleasures and annoyances that have become hallmarks of that medium.    </p> <p> </p> <p>Blu-ray and DVD extras include a filmmaker’s commentary, Alicia Keys’ “It’s On Again” music video and four deleted scenes with commentary.</p> <p> </p> <p><br /> <img alt="" src="/sites/default/files/jarmuschfilm.jpg" style="height:416px; width:625px" /></p> <p> </p> <p><strong>Only Lovers Left Alive</strong></p> <p><strong>3 stars<br /> Rated </strong><strong>R for brief nudity</strong><br /> <strong>Sony Pictures Classics<br /> Available on: Blu-ray, DVD, digital download and on demand</strong></p> <p> </p> <p>Of all the monsters in fiction, vampires may have the most dramatic potential. They are generally depicted as highly intelligent, near-immortal creatures, and this alone makes them fascinating. They get even better when an author addresses the conundrums these creatures face. Vampires are predators by nature, meaning fledging bloodsuckers are forced to adjust their entire sense of being, acknowledging that the human beings they used to identify with are now a food source. The possibilities for fiction are many, yet most storytellers insist on standard-order clichés that grew old decades ago.  Fortunately for movie lovers, Jim Jarmusch is different.  </p> <p> </p> <p>In “Only Lovers Left Alive,” the writer-director mines rarely explored vampire territory, introducing a pair of ancient creatures who treat blood as a necessity rather than a reason for being. Tom Hiddleston stars as Adam, a remarkable, centuries-old musician who records original music, yet keeps a low profile in the interest of self-preservation. He also collects classic guitars and expresses a fondness for subjects ranging from science to literature. Even with his many interests, he lives mostly in misery, disgusted by what human beings (zombies he calls them) are doing to the planet. Sensing Adam’s increasing unhappiness, his wife, Eve (Tilda Swinton), attempts to soothe him.  </p> <p> </p> <p>The best thing about “Only Lovers Left Alive” is that Jarmusch defies horror stereotypes by depicting vampires as superior to humans in most every way. In fiction, the creatures are always shown as physically powerful, but Adam and Eve are also intellectually remarkable. They embrace science in a manner that humans do not dare, they revel in great art and they are surprisingly empathetic to all beings.</p> <p> </p> <p>Swinton and Hiddleston are perfectly cast as the otherworldly creatures because of their acting chops and physical appearance.  Both actors are beautiful but not necessarily glamorous, and this works in their favor because Adam and Eve parade through scene after scene with unkempt hair and casual clothing. These creatures needn’t bother with vanity because they are alpha predators, and Jarmusch, Swinton and Hiddleston make this clear without a line of dialogue.</p> <p> </p> <p>“Only Lovers Left Alive” doesn’t need conflict to generate interest, but Jarmusch delivers some anyway. When Eve’s wild younger sister (Mia Wasikowska) pays a visit, she turns Adam’s and Eve’s world upside down, adding pizzazz to the plot while making the point that vampires – like humans – have vastly different personalities.</p> <p> </p> <p>As strange as it may sound, “Only Lovers Left Alive” is a thinking-person’s vampire film. Like all horror movies, it has fangs and blood and death, but these are secondary to the intellectualism of the characters.</p> <p> </p> <p>Blu-ray and DVD extras include deleted scenes, a music video by Yasmine Hamdan and a behind-the-scenes feature about Jarmusch’s filmmaking process.</p> <p> </p> <p><br /> <img alt="" src="/sites/default/files/millers.jpg" style="height:339px; width:588px" /></p> <p> </p> <p><strong>ALSO OUT THIS WEEK</strong></p> <p> </p> <p><strong>“The Millers” – The First Season:</strong> First 23 episodes of the CBS sitcom about a newly divorced TV reporter (Will Arnett) whose mother (Margo Martindale) moves in with him after his parents split up. Beau Bridges and Jayma Mays also star.</p> <p> </p> <p> </p> <p><strong>“Rosemary’s Baby”:</strong> Viewers who missed NBC’s miniseries adaptation of Ira Levin’s novel can now catch it on video. Zoe Saldana stars as Rosemary Woodhouse, a young woman who becomes suspicious that her husband and neighbors have malevolent plans for her unborn baby.  </p> <p> </p> <p> </p> <p><strong>“Boardwalk Empire” – The Complete Fourth Season:</strong> Twelve episodes of HBO’s hit drama about corruption and politics in Atlantic City during the Prohibition Era. Steve Buscemi, Michael Pitt, Kelly Macdonald and Michael Shannon star.</p> <p> </p> <p><strong>“Revolution” – The Complete Second and Final Season:</strong> This science-fiction drama about life on Earth after a mysterious electrical blackout deserved a longer television run. Nevertheless, fans can relive the final 22 episodes included in this set. Billy Burke, Tracy Spiridakos, Giancarlo Esposito, David Lyons and Zak Orth star.    </p> <p> </p> <p><strong>“Once Upon a Time” – Season Three:</strong> The fourth season of this ABC fairytale drama will bow in late September. That leaves viewers with about a month to catch up with the 22 episodes in this set.</p> <p> </p> <p><strong>“Tie Me Up! Tie Me Down!”: </strong>The Criterion Collection delivers a fresh restoration of writer-director Pedro Almodóvar’s 1989 comedy about an ex-mental patient (Antonio Banderas) who kidnaps a former porn star (Victoria Abril) in hopes of winning her heart.</p> <p> </p> <p><strong>“Parks and Recreation” – Season Six:</strong> The seventh season of this NBC comedy is slated to be the last, so fans will want to savor the 22 episodes on this release. Amy Poehler, Aubrey Plaza, Nick Offerman, Rashida Jones and Rob Lowe star.</p> <p> </p> <p><strong>“Y Tu Mamá También”:</strong> Deluxe, Criterion Collection release of director Alfonso Cuarón’s 2001 drama about two teens (Diego Luna and Gael Garcia Bernal) who take a road trip with a sensual older woman (Maribel Verdú).</p> <p> </p> <p><strong>“The Mindy Project” – Season Two:</strong> Twenty-two episodes of the Fox romantic comedy starring Mindy Kaling as a doctor trying to balance her personal life with professional obligations.</p> <p> </p> <p><strong>Author Bio:</strong></p> <p><strong><em>Forrest Hartman, a contributing writer at </em></strong><strong>Highbrow Magazine<em>, is an independent film critic whose byline has appeared in some of the nation's largest publications. For more of his work visit <a href="http://www.ForrestHartman.com">www.ForrestHartman.com</a>. </em></strong></p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/amazing-spiderman-2" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">amazing spiderman 2</a></div><div class="field-item odd" rel="dc:subject"><a href="/andrew-garfield" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">andrew garfield</a></div><div class="field-item even" rel="dc:subject"><a href="/emma-stone" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">emma stone</a></div><div class="field-item odd" rel="dc:subject"><a href="/only-lovers-left-alive" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">only lovers left alive</a></div><div class="field-item even" rel="dc:subject"><a href="/jim-jarmusch" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">jim jarmusch</a></div><div class="field-item odd" rel="dc:subject"><a href="/tilda-swinton" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Tilda Swinton</a></div><div class="field-item even" rel="dc:subject"><a href="/millers" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">the millers</a></div><div class="field-item odd" rel="dc:subject"><a href="/rosemarys-baby" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">rosemary&#039;s baby</a></div><div class="field-item even" rel="dc:subject"><a href="/films" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">films</a></div><div class="field-item odd" rel="dc:subject"><a href="/dvds" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">DVDs</a></div><div class="field-item even" rel="dc:subject"><a href="/new-dvd-0" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">new on dvd</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Forrest Hartman</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Tue, 19 Aug 2014 14:42:36 +0000 tara 5090 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/4228-amazing-spider-man-only-lovers-left-alive-arrive-home-video#comments ‘Man on a Ledge,’ ‘Gone,' 'Ingmar Bergman Classics' Arrive on DVD, Blu-ray https://www.highbrowmagazine.com/1197-man-ledge-gone-ingmar-bergman-classics-arrive-dvd-blu-ray <div class="field field-name-field-cat field-type-taxonomy-term-reference field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/film-tv" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Film &amp; TV</a></div></div></div><span class="submitted-by">Submitted by tara on Tue, 05/29/2012 - 19:34</span><div class="field field-name-field-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even" rel="og:image rdfs:seeAlso" resource="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/mediumMan%20on%20a%20Ledge%20-%20Horizontal.JPG?itok=hl7bVZBF"><img typeof="foaf:Image" src="https://www.highbrowmagazine.com/sites/default/files/styles/large/public/field/image/mediumMan%20on%20a%20Ledge%20-%20Horizontal.JPG?itok=hl7bVZBF" width="480" height="319" alt="" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded"><p>  </p> <p> Two thrillers from Summit Entertainment anchor this week’s home video releases.</p> <p>  </p> <p>  </p> <p> <strong>Man on a Ledge</strong></p> <p> <strong>3 stars (out of four)<br /> Rated PG-13<br /> Summit Entertainment<br /> Available on: DVD, Blu-ray, digital download and on demand</strong></p> <p>  </p> <p> Viewers who demand strict realism from their movies will have big problems with “Man on a Ledge,” an intense thriller about a person pushed to the breaking point. Sam Worthington plays Nick Cassidy, a former cop convicted of a diamond theft that he swears he didn’t perpetrate. After an unlikely escape from prison, he makes his way to a lofty, Manhattan hotel, climbs out a window and threatens to throw himself to the street below.</p> <p>  </p> <p> At first, police don’t know who Nick is, so they respond as they would to any potential jumper. That means standard rescue personnel and a negotiator. These folks soon discover, however, that Nick is hiding something. His hotel room doesn’t contain any identifying information, and he rejects the first negotiator (Edward Burns), demanding to talk only with Lydia Mercer (Elizabeth Banks), a woman scarred because the last jumper she dealt with plunged off the Brooklyn Bridge.</p> <p>  </p> <p> As police try to determine Nick’s identity and talk him down from the ledge, viewers learn there’s a lot more going on than a suicide attempt. In fact, a fair amount of screen time is given to Nick’s brother  (Jamie Bell) and his brother’s girlfriend (Genesis Rodriguez), both of whom embark on dangerous exploits of their own.  </p> <p>  </p> <p> The entire cast is solid, but it’s Worthington who carries the day. His performance is crucial because the movie hinges on viewers liking Nick and investing in his dilemma. Having a lead actor that viewers identify with is also important because much of what happens – particularly toward the end of the movie – is completely implausible. Still, “Man on a Ledge” is fun.</p> <p>  </p> <p> Viewers willing to suspend disbelief and follow screenwriter Pablo F. Fenjves and director Asger Leth, will be rewarded with a fast-paced story that is just as inventive as it is ridiculous.</p> <p>  </p> <p> DVD and Blu-ray extras include a making-of featurette and a trailer with audio commentary by Banks.</p> <p>  </p> <p> <img alt="" src="/sites/default/files/mediumgonemovie.jpg" style="width: 600px; height: 400px; " /></p> <p>  </p> <p> <strong>Gone</strong></p> <p> <strong>2½ stars<br /> Rated PG-13<br /> Summit Entertainment<br /> Available on: DVD, Blu-ray, digital download and on demand</strong></p> <p>  </p> <p> In “Gone,” Amanda Seyfried plays Jill Conway, a Portland, Ore., woman haunted by memories of an abduction that nearly claimed her life.  Although Jill is obsessed by the trauma, police weren’t able to corroborate her story, so they are convinced that she is delusional. This becomes particularly disconcerting when Jill’s sister, Molly (Emily Wickersham), goes missing.</p> <p>  </p> <p> Despite limited evidence, Jill is convinced that her former attacker is holding Molly captive. Since the police are unwilling to help, Jill desperately searches for clues that can help her locate her sister… even if that means another encounter with her abductor.</p> <p>  </p> <p> The key to most thrillers is pacing, and director Heitor Dhalia, keeps “Gone” racing along. That allows viewers to hang on the edge of their seats as Jill slowly unravels the mystery of her sister’s disappearance. Perhaps the greatest feat Dhalia achieved is leaving Jill’s mental stability open to interpretation. In other words, savvy viewers are given reason to believe that the police may be right.</p> <p>  </p> <p> Seyfried is a hot, young talent, and in “Gone” she does a reasonably good job playing a seriously distressed woman. Although the film sits almost entirely on Seyfried’s shoulders, the supporting cast is respectable, doing what it must to move the action forward.</p> <p>  </p> <p> The biggest problem with “Gone” comes at the climax. After the respectable setup, viewers can’t help but hope for something astounding. Rather, they are treated to a series of increasingly silly events in which key characters throw all logic aside.</p> <p>  </p> <p> The DVD and Blu-ray releases don’t have any substantial extras. </p> <p>  </p> <p> <img alt="" src="/sites/default/files/mediumweneedtotalkmovie.jpg" style="width: 600px; height: 360px; " /></p> <p>  </p> <p> <strong>We Need to Talk About Kevin</strong></p> <p> <strong>3 stars<br /> Rated R and language</strong></p> <p> <strong>Oscilloscope Pictures<br /> Available on: DVD, Blu-ray and digital download</strong></p> <p>  </p> <p> Based on Lionel Shriver’s award-winning novel, “We Need to Talk About Kevin” is a disturbing examination of both the human psyche and the bonds between parent and child. Co-writer and director Lynne Ramsay delivers the plot in nonlinear fashion, focusing on Eva Khatchadourian (Tilda Swinton), mother of a teenager who is imprisoned after orchestrating a massacre at his high school (Ezra Miller).</p> <p>  </p> <p> The movie alternates between past and present, with Eva doing her best to come to terms with Kevin’s crime and accept that society – unable to separate her from her child – sees her as a pariah. The always reliable Swinton is outstanding, and her work earned her a Golden Globe nomination for best performance by an actress in a motion picture drama.</p> <p>  </p> <p> Swinton is not, however, the only one deserving of performance accolades. Miller is also fantastic, and his performance as Kevin avoids kitsch while delivering a pitch-perfect mix of creepy and believable. Also, John C. Reilly is solid in an important supporting role.</p> <p>  </p> <p> “We Need to Talk About Kevin” is interesting in that it asks viewers to consider both society’s view of the parents of sociopaths and a parent’s responsibility in spotting potentially violent behavior. In the movie, Eva receives frequent hints that Kevin isn’t a normal child, yet her husband (Reilly) dismisses the concerns. Then, after the boy has snapped, she’s left to pick up the pieces in a society unwilling to accept her.</p> <p>  </p> <p> Because the movie regularly shifts between flashback and present tense, it can be a chore to keep up with the narrative. The subject matter also assures that the movie is as frightening as it is thought-provoking. That is not, however, a negative. Some films are meant to entertain. Others, like “We Need to Talk About Kevin,” are meant to change our perceptions of the world.   </p> <p>  </p> <p> DVD and Blu-ray extras include several making-of features and an interview with Shriver.</p> <p>  </p> <p> <img alt="" src="/sites/default/files/mediumbergmanfilm.jpg" style="width: 600px; height: 462px; " /></p> <p>  </p> <p> <strong>ALSO OUT THIS WEEK</strong></p> <p> <strong>“Coriolanus”:</strong> Ralph Fiennes makes his directorial debut with this modern-day adaptation of the William Shakespeare tragedy. Along with directing, Fiennes plays the title character, a Roman general who attempts revenge on his own city after being banished. Gerard Butler, Brian Cox, Jessica Chastain and Vanessa Redgrave also star.</p> <p>  </p> <p> <strong>Ingmar Bergman classics:</strong> The Criterion collection is rolling out new digital restorations of two of the Swedish director’s films from the 1950s: “Summer Interlude” and “Summer With Monika.”  “Summer Interlude” focuses on a veteran ballerina (Maj-Britt Nilsson) haunted by a tragic affair. “Summer With Monika” is a love story about working-class teens (Harriet Andersson and Lars Ekborg) who run away together.</p> <p>  </p> <p> <strong>“True Blood” – The Complete Fourth Season:</strong> Twelve most recent episodes of HBO’s hit drama based on writer Charlaine Harris’ Sookie Stackhouse vampire novels.</p> <p>  </p> <p> <strong>“Maverick” – The Complete First Season</strong>: First 27 episodes of 1950s and ’60s TV dramedy about Old West card sharks. James Garner and Jack Kelly star.</p> <p>  </p> <p> “<strong>Rookie Blue” – The Complete Second Season:</strong> ABC just debuted the third season of this drama about police officers negotiating through their first year of service. Missy Peregrym, Gregory Smith, Travis Milne, Enuka Okuma and Charlotte Sullivan star.</p> <p>  </p> <p> <strong>“Memorial Day”:</strong> War film in which a young man (Jonathan Bennett) discovers that his experiences as a soldier in Iraq have many parallels to those that his grandfather (James Cromwell) faced in World War II.</p> <p>  </p> <p> <strong>“Love Never Dies”:</strong>  Taping of a live production of Andrew Lloyd Webber’s sequel to “The Phantom of the Opera.” In this musical, the Phantom makes one final attempt to woo his love, Christine Daae. Ben Lewis, Anna O’Byrne, Maria Mercedes, Simon Gleeson and Sharon Millerchip star.</p> <p>  </p> <p> <strong>“Goon”:</strong> Sports comedy about a bouncer (Seann William Scott) who becomes a minor league hockey star. Jay Baruchel, Alison Pill, Liev Schreiber and Eugene Levy also star. </p> <p>  </p> <p> <strong>“The Jungle Bunch”:</strong> Animated movie about a penguin who was raised in the jungle, believing himself to be a tiger.</p> <p>  </p> <p> <strong>Author Bio:</strong></p> <p> <em>Forrest Hartman, a</em> Highbrow Magazine<em> contributor, is an independent film critic whose byline has appeared in some of the nation's largest publications. He also reviews movies for several radio stations and for Fox 11 TV in Reno, N.V. For more of his work visit </em><a href="http://www.forresthartman.com/" target="_blank">www.ForrestHartman.com</a>.</p> </div></div></div><div class="field field-name-field-tags field-type-taxonomy-term-reference field-label-above"><div class="field-label">Tags:&nbsp;</div><div class="field-items"><div class="field-item even" rel="dc:subject"><a href="/man-ledge" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Man on a Ledge</a></div><div class="field-item odd" rel="dc:subject"><a href="/sam-worthington" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Sam Worthington</a></div><div class="field-item even" rel="dc:subject"><a href="/gone" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Gone</a></div><div class="field-item odd" rel="dc:subject"><a href="/amanda-seyfried" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Amanda Seyfried</a></div><div class="field-item even" rel="dc:subject"><a href="/we-need-talk-about-kevin" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">We Need to Talk About Kevin</a></div><div class="field-item odd" rel="dc:subject"><a href="/tilda-swinton" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Tilda Swinton</a></div><div class="field-item even" rel="dc:subject"><a href="/john-c-riley" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">John C. Riley</a></div><div class="field-item odd" rel="dc:subject"><a href="/ezra-miller" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Ezra Miller</a></div><div class="field-item even" rel="dc:subject"><a href="/coriolanus" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Coriolanus</a></div><div class="field-item odd" rel="dc:subject"><a href="/rakph-fiennes" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Rakph Fiennes</a></div><div class="field-item even" rel="dc:subject"><a href="/true-blood" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">True Blood</a></div><div class="field-item odd" rel="dc:subject"><a href="/ingmar-bergman" typeof="skos:Concept" property="rdfs:label skos:prefLabel" datatype="">Ingmar Bergman</a></div></div></div><div class="field field-name-field-author field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Forrest Hartman</div></div></div><div class="field field-name-field-pop field-type-list-boolean field-label-above"><div class="field-label">Popular:&nbsp;</div><div class="field-items"><div class="field-item even">not popular</div></div></div><div class="field field-name-field-photographer field-type-text field-label-above"><div class="field-label">Photographer:&nbsp;</div><div class="field-items"><div class="field-item even">Summit Entertainment</div></div></div><div class="field field-name-field-bot field-type-list-boolean field-label-above"><div class="field-label">Bottom Slider:&nbsp;</div><div class="field-items"><div class="field-item even">Out Slider</div></div></div> Tue, 29 May 2012 23:34:17 +0000 tara 1045 at https://www.highbrowmagazine.com https://www.highbrowmagazine.com/1197-man-ledge-gone-ingmar-bergman-classics-arrive-dvd-blu-ray#comments