Eaton’s artwork is part of a massive multi-pronged Montefiore appreciation campaign to give nurses a deserved ‘digital’ ticker-tape parade, despite lockdown, by extending New York City’s famed “Canyon of Heroes” to every New York hospital door. Eaton is one of the most prominent street artists working today. His large-scale mural work features a meticulous, visual collage of pop imagery mixed with his unique personal style, and can be viewed in cities around the world.

Gail Albert Halaban’s new series Italian Views — with an accompanying monograph from Aperture (2019) — extends the photographer’s ongoing project to the cities of Venice, Rome, Naples, Palermo, Florence, Lucca, and Milan, collaborating with pairs of neighbors in these cities to create visual short stories that the viewer is invited to write for him/herself. Halaban’s series is a collection of images taken through and into windows in New York City, a project that earned her international recognition in 2012.

On the weekends, kids flocked from East L.A. and the Valley to Melrose Avenue to buy their Doc Martens and Manic Panic hair dye, and Aronow was everybody’s favorite Goth shopkeeper. In the evenings, Aronow was busy documenting the live music scene of that era, and managed to capture still photos of the most iconic bands of the day over multiple gigs spanning over a decade. For Aronow’s sophomore exhibition, Gallery 30 South is showcasing another assortment of never-before-seen photos from L.A.’s Punk Rock Golden Age.

Prończuk-Kuziak’s oil paintings are a combination of still life, nature, and fantasy. The artist creates colored visions of animals that are made of materials, as if woven out of thread and decorative fabrics. Building on contrast, they are full of life, energy, and fantasy, always idealized in their complicated nature and continuous transformation. In her art, the artist uses intensely saturated colors, which illustrate the vibrancy of the world her characters inhabit.

Downtown Los Angeles’s Corey Helford Gallery today unveils its next major group exhibition and most whimsical one yet with Fantastical Beasts, featuring over 50 artists from across the globe. Fantastical beasts have captured our imagination throughout history. Creatures like dragons, griffins and unicorns were the cultural ancestors of natural histories, zoos, and Darwin; of My Little Pony and Animal Planet. Some have their origin in traditional mythology and were believed to be real creatures, while others were based on real encounters.

Martin Emond was a cartoon illustrator and fine artist who combined elements of old school tattoo and classic sign painting into a sequential art style that drastically changed the look of alternative comics, and whose untimely death occurred as he was on the cusp of achieving mainstream success. Emond’s work was darkly sardonic, and after a stint on the comic strip Accident Man for Toxic! he rose to fame in the United States with Gordon Rennie’s White Trash – the fictional adventures of Elvis Presley and Axl Rose (renamed so as to avoid litigation) on a debaucherous road trip across the southern United States in the former’s pink Cadillac.

The celebrity-favorite and Instagram-famous teamLab Planets Tokyo has become the world’s most popular single-artist destination, drawing in more than 2 million visitors in its first year. The sprawling interactive digital artwork space allows guests to virtually walk through water and immerse themselves in an enhanced world that responds to live movement. Visitors enter the museum barefoot and become completely immersed with other visitors in the vast, enthralling spaces. The artwork is manipulated in real time by a computer program so previous visual states can never be replicated and will never reoccur -- each visitor’s experience is completely unique.

Machine Man Memories is the newest series of fantastical paintings by Joyner, of Robots and Donuts fame. Joyner’s work, which has been licensed from the likes of Disney, Warner Brothers, and the hit HBO show Silicon Valley, depicts the tenuous conflict between children’s toys and adulthood as a portrait of another reality. His work is characterized by his playful and surrealistic style that creates harmony between the mix of cartoon characters, especially Japanese tin robots and colorful donuts (directly inspired by the film Pleasantville) inserted in all kinds of landscapes from the Age of Dinosaurs to the bottom of the ocean.

Using different media, Hayes sheds light on the human condition as it relates to working-class African Americans, as well as larger communities of men and women. Raised in the South as part of a family that watched the 6-o’clock news, read Ebony and Jet, as well as the local newspapers, Hayes developed a strong interest in picture-making—the basic ideas of looking, recording, and interpreting—and portraiture early on.

Washington’s “The Continual Struggle: The American Freedom Movement and the Seeds of Social Change,” is an ongoing body of artwork documenting the Civil Rights Movement and America’s historical struggle against segregation and other forms of race-based injunctions. The 23-piece exhibit vividly recalls a time when people were willing to go into the streets to protest injustice and inequality, according to the artist’s website. “With this exhibit, I hope to elicit the raw emotions from the atrocities African Americans struggled with in years past and bring them to the forefront in today’s cultural lessons,” Washington said.