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Piracy Gets Washed Down With Streaming – But Is It Good for the Music Industry?

Sandra Canosa

The end result of peer-to-peer (P2P) file sharing technology was not only that the floodgates of the Internet’s capacity for copyright evasion were flung wide open, but that, perhaps even more significantly, an entire generation of media consumers got to experience a long and sinful taste of high-dosage downloadability. With so much free material available through a simple search-and-click function, the limits of music ownership were defined only by the size of one’s hard drive and the speed of one’s dial-up.

The Future of the Music Industry: Consumers in the Clouds

Sandra Canosa

Downloading was sticking it to The Man, even if we knew we were hurting the musicians in the long run that we’d rather support. When streaming services came along, they seemed like a godsend for music aficionados with a heavy conscience. They’re free – or based on tiers of what you can afford. They’re legal. They offer instant gratification. And they actively cater to the pleasures of discovering new music without having to make an initial financial investment. They seemed like a way to circumvent The Man and simply get to the music.

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