Elena Ksanti is a contemporary artist who specializes in abstract expressionism using the "fluid art" technique. Ksanti constructs her art pieces highlighting the duality of our planet and the disparities held within: Light and Dark; Yin and Yang; Good and Evil; Love and Hate; Happiness and Sorrow, etc. Ksanti views life as a world of contrasts, emotions, and possibilities. Touching on these topics and the gray areas in between, the artist actualizes these sentiments onto canvas for individual interpretation.

The science of public health has evolved since the 18th century, when it focused on isolating the ill and quarantining those exposed to diseases to prevent transmission of infection. In the 19th century, the focus was on sanitation, especially separating fecal contamination from food and water. Living conditions improved tremendously as a result. With the understanding of infectious disease transmission in the early part of the 20th century, the focus shifted to immunizations and infection control.

One of my oldest friends, divorced and living alone, explained to me that one reason I don’t see my friends as much is because I’m married, which satisfies my social obligations. In this friend’s case, he says it’s easy for him to stay home by himself and become morose and perhaps even morbid to the extent that he feels compelled, even against his own conflicting desire, that he’d rather not be bothered to leave the house, even if it doesn’t involve being with somebody else.

Of the many so far unaccounted-for crimes of his administration, few are as pernicious as the way Donald Trump and his corrupt ilk have warped reality and called basic truths into question. Whether Trump caused the right-wing wave or expertly rode it, his shamelessness and grifter tendencies have diminished the office of the presidency. He also hastened the collapse of civility and any impulse among his followers to cooperate with so-called “enemies of the state” (that is, anyone who disagrees with him).

This lighthearted genius of pop culture wants to make people think as well. Every icon from our combined histories is fair game for deconstruction, from colorfully painted World War II Nazi helmets—“just a piece of  metal”—to cartoon renderings of historical figures from the Qajar dynasty. Marzban’s vivid imagination holds supreme sway over every endeavor. He has said that if he analyzes an undertaking, he would never finish it.

The Computer Accent follows the dance-pop band YACHT as they embark to create their seventh studio album. The kicker? The members hand over the creative process to artificial intelligence, as to better understand their musical style, interests, and along the way, gain a further sense of self-discovery. To achieve this, YACHT enlists the help of technologists, AI scientists, groundbreaking machines, data analysis programs, gadgets, and a plethora of other scientific mumbo jumbo to create the first musical collaboration between mankind and robot.

Yes, Parting Glances dealt with AIDS and that can be a downer (another AIDS movie!?). But Parting Glances had the incredible bravery of existing in the mid-80s, having a frank depiction of AIDS and its effect at the height of the pandemic and in the face of the Reagan administration’s inaction: only five months prior to its release, Reagan finally said the acronym AIDS. It’s a bittersweet rom-com gorgeously written and directed by Bill Sherwood, a gay man himself who would die of AIDS before he could make another film.

Indigenous communities, communities of color, and low-income communities already suffer disproportionate environmental pollution and degradation—too often imposed by the intentional acts of government officials, or as the result of the knowing design and/or implementation of our system of laws and government. So at the same time that mounting environmental degradation and a spiraling climate crisis are expanding the scope of environmental harm, this damage also perpetuates, and grows, the footprint of environmental racism.              

What really makes this movie stand out is the brilliant writing and directing of Martin McDonagh, combined with the stellar performances from Colin Farrell as Padraic and Brendan Gleeson as Colm. Padraic goes through his own stages of grief since not only did he lose a friend in Colm, but others on the island have died, making it feel like Padraic’s world is shrinking. This all happens against the backdrop of the civil war.