This desire for quality products from accountable businesses cuts across industries, with brands from the fashion and food sectors to those in technology and transportation showing it is possible to do things differently. More than ever, brand communications are revealing the authenticity, transparency and integrity that are essential ingredients to today's conscious consumers. One way to verify that a brand operates responsibly is through a trusted third-party certification, like the nonprofit B Lab’s B Corp Certification.

When Disney began promoting the film, there were some who thought it would have a horror edge to it and that idea was only emboldened when Raimi was announced as the director. While Raimi’s unique touch is visible in various parts of the film, I wouldn’t say it goes far enough to truly separate it from all the Marvel movies. At this point in the Marvel cycle, there should be more chances being taken, not just with the plot but with the whole tone and dialogue of the movies.

The Democratic Unionist Party, the largest party representing the Unionist community, who want Northern Ireland to remain part of the United Kingdom, is refusing to enter the assembly because of the standoff over the part of the Brexit Agreement known as the Northern Ireland protocol. This has left Northern Ireland subject to some European Union trade regulations, to avoid the reintroduction of a hard border between the North, which is part of the UK, and the Republic of Ireland, which is part of the EU.

My memories of Nana, my paternal grandmother, are vivid. She taught me the proper way to place a single slice of lox on top of a bagel smeared with cream cheese. The trick was to spread the lox out so thinly with the back of a fork that you could see the hole of the bagel and the white of the cheese through it. Lox was a true luxury food in the 1950s and not to be eaten lightly. Nana’s emphasis on frugality was, I now understand, the psychological residue of her experience of multiple life crises – immigration from Poland to San Francisco in the early 20th century, the 1906 earthquake, World War I, the Spanish flu, the Great Depression, and World War II.

Paul Gordon as David is the highlight of the movie since his delivery is so awkward and dry. David seems like a boring person doing his best to impress Anna since he and his wife recently separated. He doesn’t come off as creepy and there’s a certain charm to his droning dialogue that gives the movie a comedic aspect that it needs. While David and Joan mirror Anna and Bo in some ways, they aren't as key to the overall plot as they could have been and fleshing out their characters could have added a lot more to the movie.

Despite the sizable content budgets of streaming video on demand (SVOD) services, consumers are growing more frustrated with SVOD content discovery and subscription fees. SVOD services often require consumers to juggle multiple subscriptions at increasing costs. But on social media platforms, content discovers the user, offering free passive and interactive experiences with near-infinite streams of personalized content that are continuously refined.

During his travels, Thubron crosses more than 1,100 miles along this vast waterway—not only on horseback, but by train, car, and boat. His trek encompasses visits to desolate villages and decaying monasteries, with encounters that range from friendly and well-meaning, to more sinister interactions with local police. Who says no one is intrepid anymore? Colin Thubron is intrepid.

Dancy has received numerous significant honors and awards, including: a John Simon Guggenheim Foundation Fellowship, New England Foundation for the Arts/NEA Individual Artist Grant, Nexus Press Artist Book Project Award, Visual Studies Artist Book Project Residency Grant, The American Antiquarian Society’s William Randolph Hearst Fellowship, a YADDO Fellow, Women’s Studio Workshop Residency Grant, Connecticut Commission of the Arts Artist Grant, as well as a Connecticut Book Award Illustration Nominee.

Nitram is distinguished by three outstanding but contrasting central performances. Jones has become a screen presence who evinces vulnerability and unease in equal measure, and he is sensational here. Jones conveys an inner world of rage and confusion with tremendous subtlety, lending a tragic gloss to Nitram’s childlike simplicity and blundering attempts at social engagement. It is a frank and fearless portrayal of mental illness left to its own devices.

Celebrities such as Adam Clayton Powell, Jr. and Marcus Garvey found their way easily enough into his studio, but most of his work was of the straightforward commercial studio variety—weddings and funerals (including portraits of the dead for the grieving families), teams, clubs, shopgirls, and that burgeoning class that wanted to show off its finery. Props, costumes, and other background paraphernalia became the norm.