charlie smith

Love and Mayhem Take up Residence in ‘Men in Miami Hotels’

Lee Polevoi

In Smith’s novel, a character’s wig, “like an orange egret nest, sat puffed and glistening on the table.” A “tiny, ambidextrous breeze” floats down an alley. In Albertson’s headquarters we find “the factotums and skill men and hangers-on, the rumble boys and the slack, ruined characters kept around by Albertson to remind him of worlds and episodes most men would want to forget.” Cot “sits in the shade looking out at the ocean, a bleak expression on his face like that of a man marooned on an island nobody will discover for years.”

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