Apocalypse Now

Wherefore Art Thou, Golden Age of Hollywood?

John McGovern

 The Graduate established that the old generation of Hollywood been had usurped by a new generation, Apocalypse Now served as a harsh reminder that the freedoms and economic prosperity of the ‘60s had started to fade away. Soon, Reagan would dismiss public pessimism brought about by the war in Vietnam as the “Vietnam Syndrome.” Coppola’s film was one of the last great reminders (in mainstream movies) that all good things must come to an end. During the past three-plus decades since the release of the latter film, U.S. cinema has not seen such a prolific time period, as the existence of original directors post-1980 has been more of an exception than a rule. 

Legendary Directors and the ‘Inspired Lunatic Tradition’ in Filmmaking

Christopher Karr

The movie director plays the creator of a miniature world, the organizer of a controlled sphere. As Ingmar Bergman once said, “To shoot a film is to organize an entire universe.” It’s a demanding task, playing master of a mini-universe. And major problems occur whenever humans decide to play God. For instance, what happens to the actors and technicians who devote themselves to a God who’s a tad insane?

 

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