We, as a society, feel a certain loss when we lose prematurely great actors like Philip Seymour Hoffman, comic geniuses like John Belushi, music legends like Jimi Hendrix, Keith Moon and Janis Joplin, and brilliant poets like Dylan Thomas who open up our understanding of our world. But, it is also very possible that these figures, all geniuses in their own right, may never have fully realized their potential if not for their use of mind-expanding substances. It is likely that their addictions fanned the flames of their creative genius. 

John Coltrane, for example, told of his religious awakening through his four-part suite A Love Supreme in 1965. Two years earlier, Charles Mingus released The Black Saint & The Sinner Lady, a masterful composition in six movements (or dances) which he described in the liner notes as his “living epitaph from birth ‘til the day I first heard of Bird (Charlie Parker) and Diz (Dizzy Gillespie).” Of all jazz composers, Charles Mingus understood best the capacity for jazz to delve into the mind and spirit of the musician.