Category

Film & TV

‘Serious People’ Wastes Good Acting and Dialogue on a Dull Comedy

By Ulises Duenas
Pasqual Gutierrez plays himself, and Miguel Huerta plays his doppelganger (also named Miguel). Miguel is the only source of comedy through the film. He does a great job of playing an airhead who’s full of himself and relishes the power given to him as the director on set. He’s not a nuanced character, but without him, the movie would have nothing going for it in terms of comedy.

Heathcliff, Cathy, and the Eternal Doom That Pervades Their Love in Emerald Fennell’s ‘Wuthering Heights’

By Ulises Duenas
The choice to spend half the movie’s runtime before Heathcliff’s return hurts the pacing. Spending more time on Cathy and Heathcliff’s relationship falling apart and adding more nuance to their characters would have gone a long way in making the ending less saccharine. The end of a great love story is something to be mourned, yet I felt relief when the credits started rolling.

The Muppets Are Back – With Their Old Charm and Magic in Tow

By Ben Friedman
This new production wisely resists that impulse. Executive producer Seth Rogen and his team clearly understand that the Muppets’ charm doesn’t come from flashy updates or celebrity overload, but from the eccentricities, rhythms, and personalities of the beloved puppets themselves.

‘Magellan’ Is a Stunning, Gorgeous Film With a Disappointing Storyline

By Mark Orwoll
Add to those inarguably arresting sequences is the unique camera work. In the entire film, the camera neither tilts nor pans. Every shot is static, as if the camera operators (Artur Tort and Lav Diaz) set up an establishing shot, then went out for coffee and a doughnut while the actors cantered about before the lens.

Hollywood’s Silence on Trump, Iran, Venezuela Is Deliberate

By Ben Friedman
It was the culmination of years of eroding journalistic standards and executives bending the knee to stay in Trump’s good graces. During the CBS broadcast, cameras lingered not only on A-list stars like Leonardo DiCaprio, Timothée Chalamet, and Julia Roberts, but also on the billionaire executives seated among them.

‘Night Patrol’ Is a Bloody Mess

By Mark Orwoll
'Night Patrol' is the sort of movie that makes one yearn for the good ol’ days when a new release was expected to bring cultural insight, commentary, and aesthetic quality to the screen, not simply gross us out for an interminable hour and 44 minutes with the gleeful splattering of vital fluids and ripped-out throats.